18 November 2013

Mil-poets Talk a 'Blue Streak' About War and Poppies

Appropriate to last week's Veterans Day launch, three poets featured in the first issue of the "Blue Streak" military-poetry journal evoked the World War I poem "In Flander's Fields."

The 1915 poem was written by Canadian Army physician John McCrae, and later inspired the tradition of wearing the Remembrance Poppy on occasions such as Remembrance Day (also called "Armistice Day" or even "Poppy Day"), Anzac Day, and Memorial Day:
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below. [...]
The online journal is a project of Military Experience and the Arts, Richmond, Ky. The 105-page inaugural issue is available free as a PDF here.

Poppies, of course, also factor into the agriculture of Afghanistan—a fact not lost of Blue Streak poets Chris Heatherly and Virgil Huston.

Chris Heatherly's "In Afghanistan's Fields" [p. 10] is a tight-shot group of three observations on the ground, collectively aimed at the modern military's motivations and missions. In some ways, the work can be read as much as a critique of the War on Drugs, as well as the Global War on Terrorism:
In Afghanistan’s fields the poppies blow
The seeds of war flowering, row on row.
We know the places where they grow
Following orders, soldiers pass on by
Leaving the demons where they lie.

Rules of engagement tied our hands
Prevented us from entering enemy lands
Lines on a map more important than a line in the sand
Lying awake in bed, we ask the night,
“Why were we there, if not to fight?”
In Afghanistan’s fields.

Across America, a slowly falling snow
Thousands of white crosses stand row on row
Our government sleeps; the poppies grow
Perhaps we lost our way,
Avenging a fateful September day
In Afghanistan’s fields.
In "Afghanistan's Flanders Fields" [p. 23], Virgil Huston starts with Alexander and the Hindu Kush before evoking the British, Soviet, American, and Afghan soldiers who would come later. Regarding rules of engagement, he ends with laments that sound similar to Heatherly's:
[...]
what of that ground
that is forever England?
I have seen it
no one cares
sheep shit on it
men do not respect
but touch a Muslim grave
and US generals grovel
and prostrate themselves
while Presidents condemn
their own soldiers
for such transgressions
while we should be
denouncing those
who desecrate
Afghanistan's
Flanders Fields
Finally, World War II Navy veteran William Lincoln Simon, who died earlier this year at the age of 88, wrote "The Dead of Peleliu Speak" [p. 98] in 1944:
On Peleliu no poppies grow, between the
crosses row on row,
But only coral, rock, and sand. Each
cross a muted sentry, stands
A guardian of those hallowed sands
That drank our blood.

On Peleliu we fought and died. We’re restless lying side by side,
Who gave our all. And now we wait,
too worn to rest, too tired to hate.
We are the earth’s repatriate,
Who crave long peace.[...]
Three wars. Three poets. Three fresh takes on Flanders Fields.

Memorable stuff.

14 November 2013

'Veterans' Play Debuts at Fort Snelling 'Base Camp'

Telling the fictional story of the citizens and veterans of a small Midwestern town, the "Veterans Play Project" will be performed at the "Base Camp" multipurpose facility administered by the Boy Scouts of America's Northern Star Council. The facility address is 201 Bloomington Rd., Fort Snelling, Minn.

Opening is 7:30 p.m. Fri., Nov. 15, although there is a Thursday evening preview performance. The play, created by the Footprints Performance Collective, runs through Nov. 24 and is part of the Mixed Blood Theatre series. The cast includes 22 actors and musicians, including 15 veterans and military personnel.

According to press materials, the script was inspired by more than a hundred interviews with veterans and service members: "The stories of new recruits, veterans, and advocates from all conflicts and on all sides weave together as the residents of Smedley face the dilemma of how to honor the memory of those who have served in their community."

Free tickets are "first-come, first-served," but may also be reserved for a $20 fee. Show times are 7:30 p.m. all days but Sunday. Sunday performances are 3 p.m. matinees. The Sat., Nov. 23 performance will feature audio description and American Sign Language interpretation.

For further ticket details click here, or call the box office at: 612.338.6131.

The project is also accepting donations toward the production costs at its GiveMN page.

Supporters of the production include:
  • Beyond the Yellow Ribbon
  • Coming Home Collaborative at Our Saviour's Lutheran Church
  • Minnesota Department of Veteran Affairs
  • Minnesota Humanities Center
  • Minnesota National Guard
  • University of Minnesota Student Veterans Association
  • Veterans for Peace
  • Veterans in the Arts

13 November 2013

Non-Profit Fires Salvo of 3 Free Arts-and-Military Pubs

Military Experience and the Arts, a Kentucky-based non-profit organization, has launched three new or rebooted journals of military-themed non-fiction, fiction, and poetry. Starting this week, each is available free online as Portable Document Format (P.D.F.) files.

Each publication features the work of military veterans, service members, family members, researchers, and supporters. The journals are:
  • A third volume of The Journal of Military Experience (Click for PDF). The 377-page publication has been retooled to focus on literary non-fiction, visual arts, and academic scholarship, having spun off poetry and fiction into separate vehicles.
  • The 105-page inaugural issue of the Blue Streak poetry journal.
Working through collaborative e-mail and social media groups, the organization operates as a virtual writing workshop, and relies heavily on nationwide networks of volunteer peer-editors.

Each publication welcomes submissions year-round. A fourth journal regarding Post-Traumatic Stress Disorder (P.T.S.D.) topics is anticipated to launch later this year.