14 February 2018

War-writing Events at AWP 2018, Tampa, Fla.

The annual Association of Writers & Writing Programs (A.W.P.) national conference is March 7-10, 2018. It will be the 51st anniversary of the event. This year, it's being held in Tampa, Fla.

The annual event brings together approximately 12,000 writers, educators, students, editors, and publishers, and travels to different cities each year. A concurrent bookfair showcases more than 800 exhibitors.

A searchable, on-line schedule for the event appears here.

While the motivational value of networking with fellow travelers and cocktails with friends should never be discounted, much of the intellectual energy of the conference is to be found in panel discussions and presentations. Good topics challenge our perspectives and presumptions, and AWP includes any number of potential conversations about war and conflict, veterans issues, population displacement, and related topics:

In the spirit of Sherpatudes Nos. 1 and 15, here's what we know so far about "war writing" panels, presentations, and readings at AWP2018: Please direct corrections and suggested edits/additions to: sherpa AT redbullrising.com.

***** THURSDAY, March 8, 2018 *****

9:00 a.m. to 10:15 a.m.
Room 13, Tampa Convention Center, First Floor

R126. Silenced Dimensions in Crisis and Conflict. (Catherine Parnell, Jasmin Darznik, Martha (Max) Frazier, Monica Sok, Danuta Ewa Hinc)
In narratives about international conflict, women writers, and those identifying as women, are marginalized and grossly underrepresented. Exposing their lack of visibility and peeling back the layers of privilege is the goal of Consequence magazine’s tenth anniversary issue, and we’ve dedicated our Spring 2018 issue to women writers. In this panel, we’ll talk to four writers who write about the culture and consequences of war and activism, and how they see writing as a path to peace.

12 noon to 1:15 p.m.
Room 1, Tampa Convention Center, First Floor

R182. Arab & Muslim Writers Surviving Trump's America: A Reading and Discussion Presented by Mizna. (Lana Barkawi, Glenn Shaheen, Sagirah Shaheed, Jess Rizkallah, Tariq Luthun)
Heeding Edward Said’s call for cultural resistance to “write back” against forces seeking to marginalize and vilify Arabs and Muslims, Mizna, the only Arab American lit journal, presents its issue themed “Surviving” with readings and discussion about our communities’ latest bouts with xenophobia and Islamophobia. Acclaimed and important emerging authors will discuss the maneuvers the Trump era has us making—resisting, dodging, bearing, and more—surviving.

3:00 p.m. to 4:15 p.m.
Grand Salon C, Marriott Waterside, Second Floor

R234. Writing Toward the Margins: When the Stereotypes Are Also Your Story. (Monica Prince, Mike McClelland, Penny Dearmin, Natalie Sharp, Adam Sirgany)
Submission calls strive to include voices of marginalized identities, but many do this by requesting work that pigeonholes writers. Writers of intersecting marginalized identities balance writing what an audience “expects” and real life. How do writers address the stereotypical markers of their work (as women, POC, veterans, LGBT+ community, etc.) while also honoring their life stories? This panel explores stereotypes for marginalized writers while navigating expectation and truth.

3:00 p.m. to 4:15 p.m.
Grand Salon D, Marriott Waterside, Second Floor

R235. Humanizing “the Enemy”: Veterans Share Poetry of Reconciliation. (Toni Topps, Kevin Basl, Anthony Torres, Aaron Hughes) Veterans and service members have received a lot of attention over the past decade, with politicians and media focusing on themes of sacrifice, heroism, and trauma. But what about those countries attacked and occupied by the US? Inspired by the work of Maxine Hong Kingston, Warrior Writers and others representing the Veteran Art Movement will read original poetry of reconciliation and cross-cultural understanding, turning the focus towards Iraqis, Afghans, and others affected by US militarism.

4:30 p.m. to 5:45 p.m.
Room 5 & 6, Tampa Convention Center, First Floor

R279. Hometown Nocturnes: A Reading by Arab American Writers. (Leila Chatti, George Abraham, Zaina Arafat, Hazem Fahmy)
Five award-winning Arab American writers will present rich, multilayered poems and essays. This is an engaging and electric intergenerational reading from texts as varied as chapbooks, spoken word, Buzzfeed essays, and poetry collections. The writers explore topics such as the pain of diasporic existence; the political undercurrent of everyday life; and cultural taboos of sexuality and death.

4:30 p.m. to 5:45 p.m.
Room 13, Tampa Convention Center, First Floor

R283. Reimagining America: Reading by Children of Vietnamese Refugees. (Lauren Bullock, Nghiem Tran, Cathy Che, Vt Hung, Paul Tran)
Forty-three years after the Vietnam War, exile to the United States continues to haunt life for children of Vietnamese refugees. Five nationally award-winning poets and fiction writers will perform new work investigating how imperialism, migration, sexual violence, queerness, and our families’ silence about the War shapes our craft decisions and community activism. We’ll specifically examine the collision of longing and belonging, nostalgia, and the imperative to imagine new definitions of home.

***** FRIDAY, March 9, 2018 *****

9:00 a.m. to 10:15 a.m.
Room 1, Tampa Convention Center, First Floor

F120. Women, War, and the Military: How to Tell the Story. (Mariana Grohowski, Helen Benedict, Tracy Crow, Mary (M.L.) Doyle, Jerri Bell)
Five writers—three military veterans and two civilians—weigh the pros and cons of telling military women’s stories through fiction versus memoir. Is the novel still better, as Virginia Woolf argued, at representing the private discourses of women’s lives to the public? Or does the memoir better afford women the opportunity to write themselves into history? What can a novel do that a memoir cannot, and vice versa? Is there a reason why more women veterans have turned to memoir than to fiction?

10:30 a.m. to 11:45 a.m.
Ballroom A, Tampa Convention Center, First Floor

F149. Strong Medicine: The Poetry of Addiction. (Dawn McGuire, Kaveh Akbar, Lynn Emanuel, Owen Lewis, Nick Flynn)
From Horace to Hass, poets have both lauded and vilified getting high. The “milk of paradise” can lead to masterworks, while addiction deserts ambition and destroys lives. In this panel, five award-winning poets, including two physician-poets, explore the swerve from inspiration to ruination from different perspectives and diverse writing styles. Themes of addiction in self, family, mentors, patients—e.g., post-9/11 veterans—as well as the seductive intimacy of shared intoxication, are featured.

1:30 p.m. to 2:45 p.m.
Room 11, Tampa Convention Center, First Floor

F222. Go Home! Asian American Writers Imagine Home Beyond a Place. (Rowan Hisayo Buchanan, Gina Apostol, Karissa Chen, Rajiv Mohabir, Esmé Weijun Wang)
For many immigrant writers, home is more and less than a place. Home might be found in a language that one is losing one’s grasp of. Home might have been lost in the aftermath of war. Home might be an impossibility. The writers on this panel, all contributors to the new anthology Go Home!, discuss how they navigate ideas of home in their writing. How can fiction, nonfiction, and poetry approach home? What does it mean to write for people with different ideas of home?

1:30 p.m. to 2:45 p.m.
Room 17, Tampa Convention Center, First Floor
F228. Above, Beyond, and After Duty: Teaching Creative Writing to Veterans. (Steve Kistulentz, Jesse Goolsby, Seema Raza, Lovella Calica, Matt Young)
Working artists across multiple genres discuss the challenges and rewards of teaching writing to veterans and active duty service members. In our panel discussion, we will cover institutional and individual approaches to pedagogy, why this work is worth doing, and how to do this emotionally exhausting and occasionally triggering work sustainably in university and community settings. Panelists will also discuss how their own writing has been influenced by working with this unique population.

3:00 p.m. to 4:15 p.m.
Room 23, Tampa Convention Center, First Floor

F266. The Role of the Expatriate Writer in Times of Political Upheaval. (Connie May Fowler, Xu Xi, Donald Quist, Abayomi Animashaun)
During periods of deep political turmoil, do expatriate writers bear special responsibilities? Do we return home and resist or do we, from our perches abroad, seek to create a more nuanced, globally informed narrative? Our panelists live in far flung reaches—Hong Kong, Mexico, Paris, Southeast Asia—and will discuss how they deal with urgent issues such as dissent, war, American policy, terror, and climate change as both writer and other in a world in which being neutral is not an option.

***** SATURDAY, March 10, 2018 *****

9 a.m. to 10:15 a.m.
Florida Salon 5, Marriott Waterside, Second Floor

S114. Conflict, Crisis, Verse: Four Poets in Conversation. (Peter Molin, Jehanne Dubrow, Dunya Mikhail, Benjamin Busch, Brian Turner)
During a period of political exigency and social anxiety, how can poets and poetry teach, inspire, connect, and heal? Four widely published and celebrated poets—two military combat veterans, an Iraqi-American emigre, and the spouse of a military officer—draw on the urgency and insight born of their experience of war to trace the dynamic relationship of poetic voice and technique, personal circumstance and perspective, and turbulent national and global events.

10:30 a.m. to 11:45 a.m.
Meeting Room 1, Marriott Waterside, Second Floor

S144. The Value of Redemption When Writing YA Literature About Protest and Violence. (Ann Angel, Debra Brenegan, Heather Lee Schroeder, Artress Bethany White)
Recognizing the conflict inherent in protest and how protest ignored can lead to violence and war, writers instinctively examine the redemptive qualities found in protest and transform their communities by opening readers to diverse ideas and challenges. This panel of writers and writing teachers provides a powerful opportunity to help participants recognize the many ways that protest can effect redemptive resolutions through the written word.

10:30 a.m. to 11:45 a.m.
Meeting Room 9 & 10, Marriott Waterside, Third Floor

S146. Crossings and Crosses: Caribbean Women Writers on Immigration, Deportation, and Identity . (Jennifer McCauley, Donna Aza Weir-Soley, Fabienne Josaphat, Anjanette Delgado, Katia D. Ulysse)
Long before the Trump era, Caribbean writers have long been concerned with issues surrounding immigration. As subjects of colonial powers "crossing the sea" has long been our preoccupation whether it was to seek out opportunities for economic advancement, to pursue higher education or to fight in various wars for our colonial "Mother country." Our writing, like that of Junot Díaz or Ana Menendez, addresses immigration including assimilation, acculturation, nostalgia, identity, and deportation.

10:30 a.m. to 11:45 a.m.
Room 1, Tampa Convention Center, First Floor

S151. Giving Voice to Nontraditional Populations Through Storytelling. (Deborah Finkelstein, Robert McKenzie, Alfonso Ramirez, Charles Rice-Gonzalez)
How do we give voice to nontraditional populations? Through storytelling. We will discuss successful methods of working one-on-one or in groups with members of nontraditional populations including the elderly, veterans, the incarcerated, young adults with special needs, and multilingual speakers. We’ll demonstrate exercises for sharing stories with actors to create a collaborative piece as well as methods for individuals to write their stories as short stories, monologues, poetry, and plays.

10:30 a.m. to 11:45 a.m.
Room 11, Tampa Convention Center, First Floor

S155. Subverting the Stereotypes: Performances by Warrior Writers and Combat Hippies. (Lovella Calica, Nicole Goodwin, Hipolito Arriaga, Allen Minor) Military veterans and service members are often used as commercial and political props. This reading will offer performances by two veteran-focused literary organizations challenging veteran stereotypes that not only stifle constructive dialogue about war and its consequences, but also fuel US militarism. These poetic performances will present veterans as the diverse social group they are, while also encouraging other veterans to speak truth to power.

12 noon to 1:15 p.m.
Room 14, Tampa Convention Center, First Floor

S188. Not Heartwarming: Beyond Military and Feminine Tropes in Veterans’ Stories. (Dorothy Hasson, Krista Tucker, Sonya Lea)
How do we create new narratives in a culture dominated by conventional war stories? Stories of women veterans are less emphasized in our culture, and are often challenging to write and teach, due to the fragmentation resulting from military sexual trauma and PTS. Two mentors discuss working with under-represented populations alongside two of their students—a young veteran forced to alter her gender to survive a war, and a mature veteran who broke traditional female roles to survive the military.

31 January 2018

Darron L. Wright Awards Deadline is March 15, 2018

Darron L. Wright PHOTO: Line of Advance
Creators of the Chicago-based digital military-lit journal "Line of Advance" have recently called for submissions to the Third Annual Col. Darron L. Wright writing awards. The contest is named after a U.S. Army officer and author who served on three Iraq War deployments, who was killed in a stateside parachute training accident on Sept. 23, 2013. He was 45.

Line of Advance Editor Chris Lyke writes:
Thanks to a generous donation from the Blake and Bailey Foundation, Line of Advance is presenting the Col. Darron L. Wright Award. Like us, Darron Wright was a soldier: a larger than life infantry commander with several tours under his belt. And also like us, Col. Wright was a writer: a thoughtful, reflective artist, eager to tell the truth about his men with compassion and a commander’s eye. This award is presented in his name in an effort to honor his memory.
The contest is currently accepting both prose (category includes both fiction and non-fiction) and poetry. Deadline is March 15, 2018. Contest is open to military service members and veterans.

Three finalists will be named, with $250, $150, and $100 prizes each to be awarded. Submissions may be made via the journal's website here. Make sure to specify "contest" at the end of the title field.

According to a corresponding note on the publication's Facebook page, all contest submissions will be published on the website, and winners will be chosen by a panel of veteran and non-veteran writers and poets.

In addition to other assignments, Darron Wright served as battalion operations officer for 1st Battalion, 8th Infantry Regiment, 3rd Brigade, 4th Infantry Division, Fort Carson, Colo., with whom he deployed to Iraq from 2003 to 2004. Wright was next assigned as brigade executive officer with 4th Brigade, 4th Inf. Div., Fort Hood, Texas, with whom he deployed to Iraq from 2005 to 2006. He commanded the 1st Battalion, 509th Parachute Inf. Reg. at the Joint Readiness Training Center, Fort Polk, La. in 2007. From 2009 to 2013, Wright was assigned as deputy brigade commander for the 4th Stryker Brigade, 2nd Inf. Div., with whom he deployed to Iraq from 2009 to 2010.

A graduate of the U.S. Naval War College, Wright authored "Iraq Full Circle: From Shock and Awe to the Last Combat Patrol in Baghdad and Beyond." in 2012.

Wright's full biography appears here.

"Darron L. Wright was a larger than life Soldier’s Soldier. He was a physically imposing, direct, and skilled warrior," the Line of Advance editors write.
He was also witty, hilarious, generous, kind, and wholly consumed with love for his family. He will certainly be missed but he will never be forgotten. His intellectual curiosity, boundless optimism, and untiring work ethic, allowed him to reach heights he could only dream of as a young boy growing up in Mesquite, Texas. It is in this spirit that the Darron L. Wright Award was created, to inspire fellow military writers and poets to aspire to become better and more accomplished at their craft and at telling their story.

24 January 2018

7th Veterans-Lit Anthology Deadline: June 1, 2018!

Deadline for submissions to a seventh volume titled "Proud to Be: Writing by American Warriors"—an anthology of military-themed fiction, non-fiction, poetry, essays, oral histories, and photography—is June 1, 2018. The project is open to all military personnel, veterans, and family members.

According to the call for submissions, each category carries a first-prize of $250. All entries will be considered for the anthology. There is no entry fee to the contest or publication.

Through the efforts of the Warriors Arts Alliance, the Missouri Humanities Council, and Southeast Missouri State University Press, the first "Proud to Be" volume was published in November 2012.

"[T]his series of anthologies preserves and shares the perspectives of our military and veterans of all conflicts and of their families," reads the Southeast Missouri State University Press contest page. "It is not only an outlet for artistic expression but also a document of the unique aspects of wartime in our nation’s history."

With second, third, and fourth issues, the press established itself as a leading venue for "veterans-lit," consistent in both quality and quantity. In 2014, the press also published "The Shape of our Faces No Longer Matters," a poetry collection by U.S. Marine veteran Gerardo "Tony" Mena.

The tradition of excellence continued with the fifth and sixth issues.

Red Bull Rising blog reviews of past issues of the "Proud to Be" anthology appear here and here.

For a 2012 Red Bull Rising interview with original series editor Susan Swartwout, click here.

Submissions must be made through the Southeast Missouri State University Press Submittable page here. According to guidelines:
    • Put your name and contact info on first page and nowhere else on the manuscript.
    • Limit one submission in each category per person.
    • Poetry: up to 3 poems (5 pages maximum). Keep poems in one document (with 1st poem as title).
    • Fiction, essay, or interview: 5,000-word limit.
    • Photography: up to 3 good-quality photos (will be printed in the book as black and white).
    • Submissions exceeding the limits will be disqualified.
    • Include a biography of 75 words or less with each submission. Explicitly mention author's connection to military.
    • Winners and contributors will be notified by Nov. 1, 2018.