Showing posts with label The Sandbox. Show all posts
Showing posts with label The Sandbox. Show all posts

18 November 2015

How Sherpa Wrote a Book: 'Welcome to FOB Haiku'

First of all, before you call out the Poetry Samurai (they're like the Grammar Ninja, but more figurative), let me say that, yes, I'm aware of the difference between haiku and senryu. Haiku is a three-line, 5-7-5-syllable Japanese-inspired poetic form regarding a moment in nature. Senryu is similarly structured—three lines, 5-7-5—but focuses on human foibles.

I write about the military. That roots me firmly in the human terrain. (In the U.S. Army, we brief all other forms of nature under "enemy situation.") So, technically, it would be more correct to say that I write senryu. I still call it "haiku," however, because I also know my audience. You don't need an M.F.A. to know what "haiku" is. Even the @#$%ing Infantry knows haiku.

Back in the day, we learned haiku in grade school. We also learned Robert Frost in junior high, and Shakespearian sonnets in high school. Fast-forward to today, and my Fifth-grade warrior-princess and Third-grade video game technician are both accomplished haiku practitioners. They also learned it in school. "All this has happened before, and all this has happened again."

Because people of all ages and abilities recognize the haiku form, it makes it both accessible and (pun intended) versatile. The best haiku deliver a surprise, a shift in the action or focus. Sometimes, it can be enough to surprise readers with the fact that they just read a poem—or that they learned something in grade school that's still useful.

Given the restrictions of haiku, I personally enjoy the technical challenge of finding just the right words and punctuation, to make my poetic shot-group as tight as possible. As a writer, I don't aspire to lyrical greatness—I want my language to be understandable. I want to entertain someone, and maybe get them to think about things in a different way.

I write for my buddies who don't read poetry, after all—guys who sometimes barely read the instructions to complicated things. That doesn't mean they're not open to new ideas, however, or to seeing old things in new light.

For example, I'm pretty sure that a couple of them will find this haiku, written about emplacing an anti-personnel Claymore, to be both familiar and fresh:
Point *this* side at Them.
Spool yourself away from harm.
Click three times and ... Boom.
After a couple of decades away from the practice—during which I wrote daily newspaper and how-to magazine and Army lessons-learned articles—I started writing poetry again in 2011. I was at a free weekend writing workshop on the campus of the University of Iowa, run by Emma Rainey and the non-profit Writing My Way Back Home.

The prompt had something to do about capturing a moment of wonder. I had been stewing for months, having earlier that year embedded with my former Army colleagues deployed to Afghanistan, about an interaction I'd had with my former commander while downrange. I kept wondering what it meant. Rainey gave us a few minutes to write, mental brakes off, with some soothing music playing in the background. I started writing about my first meeting downrange with Ryder-6. Ten minutes later, I had the start of a book.

I didn't realize that then, of course. It took years to admit I might be a poet. In the meantime, I still considered myself a just-the-facts non-fiction guy. Over the years, my journey was shaped and influenced by meeting many fellow travelers, such as poet Jason Poudrier ("Red Fields") at the first (and later, the second) Military Experience & the Arts Symposium.

I also met poet Suzanne Rancourt there—she of the sharp wit and long knives—who led by example and humor, and later convinced me to take over for her as the poetry editor for the group's literary journal, "As You Were." (FREE PDF of the latest issue here!)

At the 2012 Sangria Summit for writers of military fiction and non-fiction, held in Denver, Colo., I learned about independent and electronic publishing as methods to overcome obstacles to market—barriers such as having too narrowly focused a niche. Little did I realize how much of that information would factor into my actions in 2015. More on that in a minute.

I learned to use poetry to dig at the moments and memories that didn't quite make sense, or that didn't immediately seem to support a larger narrative. Sometimes, in my explorations, I found myself at the bottom of an intellectual hole. Sometimes, I found myself at the crest of a hill. Perhaps most importantly, I learned to accept the risks of sharing my work with others.

I started to get poems published in veteran-friendly venues, such as "The Pass in Review," "Line of Advance," the Veterans Writing Project's "O-Dark-Thirty," and the annual anthology series "Proud to Be: Writing by American Warriors" from Southeast Missouri State University Press, Cape Girardeau, Mo.

Later, I began to get traction in non-military but Midwestern-themed outlets, such as the Kurt Vonnegut Memorial Library's "So It Goes" literary journal, and "Midwestern Gothic." Each of the above titles represents an editorial staff that is open to exploring ways to bridge the gap between civil and military experiences. We need more such bridge-builders.

Earlier this year, I found I had enough poems—published and unpublished—to produce a chapbook. I started to submit manuscripts to chapbook contests and publishers, recognizing that "light-hearted verse about the light infantry" is more of a rabbit- than a fox-hole—a niche within a niche within a niche. (I joke that I've finally discovered a vocation that pays less than newspaper journalist—that of "military poet.") Meanwhile, I added pages. The manuscript grew to book-length.

I began to realize that my poems, collected and curated, roughly reflected the narrative arc of my Army career, from Boot Camp to Bagram and back home again. The sum might be greater than its parts.

Having set a personal 2015 deadline for getting at least one major writing project off my desk, I published this month via Middle West Press LLC, Johnston, Iowa. This was the same entity that had, in 2011, endorsed my freelance media credentials when I applied to embed for a few weeks in Afghanistan. The result is a 90-page trade paperback, which is also available in various e-book formats, including the Amazon Kindle, and others via Smashwords.

The cover design of "Welcome to FOB Haiku" mimics the hardcopy Army doctrine and technical manuals we once shlepped to the field by the truckload: Matte finish. Subdued colors. Comforting and camouflaged. Theoretically fits in a cargo pocket, just like the brigade TACSOP.

The cover image is a pencil drawing by Aaron Provost, the original of which I proudly display in my undisclosed writing location. Long-time readers of the Red Bull Rising blog may remember my crush on the Mine-Resistant, Ambush-Protected ("M-RAP") trucks that epitomized so much of our country's thinking and tactics during Operation Enduring Freedom. I'm pleased to put that love on display. Even wrote a sonnet about it.

I continue to write haiku, while also working on my non-fiction muscles. A couple of pals from the Military Writers Guild and I are mutually resolved to make 2016 the year of non-fiction. On the Chinese Zodiac, it's also the year of the Monkey. That seems appropriate.

So stay tuned. And thanks for your continued readership. As always, I look forward to your questions, comments, insights, and now ... reader reviews?

Like the Red Bull says: "Attack! Attack! Attack!"

*****

You can buy "Welcome to FOB Haiku: War Poems from Inside the Wire" in print here and here. ($9.99 U.S.)

You can buy the e-book on Kindle here, or in a variety of e-book formats via Smashwords here. ($5.99 U.S.) More vendors to be listed soon!

26 November 2014

Thank You, Vonnegut! Thank You, Doctrine Man!!

Photo of cover and poem recently published in third annual issue of "So It Goes: the Literary Journal of the Kurt Vonnegut Memorial Library," which was organized around a theme of creative process. Kintsugi is the Japanese art of repairing ceramics with lacquered resin mixed with metallic powders. Originating in the 15th century, the practice celebrates an object’s history and imperfections, while also keeping it in service. Ashikaga Yoshimasa and Tom Albers are each real people, but only one was a citizen-soldier in the Iowa Army National Guard.



At risk of sounding like that inscrutable "Thank U" song by Alanis Morrisette, I am thankful for a rewarding year of writing. My work continues on various research, writing, and goof-off projects related to the history of the U.S. 34th Infantry "Red Bull Division. Meanwhile, I grew more confident in my production of military-themed poetry (should that be "light verse about the light infantry"?), and more aggressive in seeking venues for its publication.

To paraphrase Alanis: "Thank you, India! Thank you, (war on?) terror! Thank you, disillusionment!"

Writing and publishing poetry probably distracted me from larger career targets, but it also provided an outlet for exploring fragments that might otherwise have ended up unexplored. Receiving a coin from a former commander, for example. Or what it felt like to work in a Tactical Operations Center. It's amazing what sticks with you. It's amazing what comes back. And, it's fun to share.

Just this year, I saw more than 12 poems published, in print and on-line.

I benefited in this effort, I know, from a 2014 boomlet of venues seeking to publish veterans' lit. At one point, I counted a dozen journals and anthologies actively soliciting military-themed fiction, non-fiction, poetry, and more. Whenever possible, I tried to pass along news of these opportunities to my fellow mil-writers via the Red Bull Rising blog. I also tried to encourage other practitioners via on-line interviews (here and here), and via workshops and presentations.

Nearly five years out of uniform, and I'm still doing lessons-learned ...

Last spring, I shared my publishing methods and insights at the Great Plains Writers' Conference, Brookings, S.D. and at Writing My Way Back Home, Cedar Rapids, Iowa. I'm looking forward to other such opportunities in 2015—including the Military Experience and the Arts Symposium in Lawton, Okla., May 14-17.

Some venues for veterans' voices are well-established. Southeast Missouri State University, for example, recently published its third annual "Proud to Be" anthology. Editors have already issued a call for submissions toward a fourth volume. The dead-tree version of the Veterans Writing Project's literary journal "O-Dark-Thirty" is a joy that arrives quarterly to my mailbox (subscribe here!), although you can also read its issues free on-line here.

Other publications emerged, such as Line of Advance and The Pass In Review. Special themed issues popped up like 25-meter targets. Scintilla magazine, for example, dedicated an entire issue to veterans' writing. And The Iowa Review continues its annual (?) Jeff Sharlet Memorial Award for writers who are veterans.

Of course, the literary terrain is always shifting. Publications come and go. Funding, staffing, energy, and interest quickly become obstacles to a clockwork publication schedule. The Pass In Review, for example, went on hiatus after two issues. I'm told they're refitting and cross-leveling their intellectual ammunition for 2015.

Rather than publish four separate journals, Military Experience and the Arts is consolidating its family of non-fiction, fiction, trauma-writing, and poetry journals under one cover, now titled "As You Were." The inaugural issue is here.

Some military-writing sites, like Doonesbury's "The Sandbox," live on as on-line archives. Others, such as Milblogging.com, have left the net altogether.

In this season of reflection, I am proud and humbled to have had my work appear in many of these publications. I am thankful for the hard work that writers and designers and editors invest in bringing these products to life. Moreover, I am thankful to be part of a larger community of veterans (and readers!) that seeks to encourage the expressions of others.

Thank you for your words. Thank you for reading some of mine.

In the meantime, have a safe and rewarding Thanksgiving. Remember to check on your buddies, remember to hug your kids.

Give thanks.

Essayons.

*****

Here's a quick list of places in which to read some of my 2014 work, as well as that of writer-veterans. Please support these venues with your attentions and patronage, as appropriate:

23 July 2014

Another 100K Views, and a Sitrep on Mil-blogging Ops

The Red Bull Rising blogodometer recently turned over another 100,000 views, and, while I don't normally celebrate such arbitrary milestones, it seems like a good opportunity to take a breather—and to reflect on the current state of the greater mil-blogosphere.

Here's the quick historical context: Early in the wars in Iraq and Afghanistan, "war-blogs" (later "mil-blogs") started as an exercise in citizen journalism for people in uniform, enabled by the popular technology of the time. Mil-blogs offered readers first-person perspectives on life in the military, whether on the front lines or the home front. As the trend matured, many blogs were collected into anthologies or reworked into books. After troops returned or retired from service, many blogs evolved into commentary on current events.

Many have argued that the popularity of blogging—and mil-blogging in particular—has declined in recent years. There is, admittedly, some evidence supporting such conclusions. For example, the last official Milblogging.com conference of bloggers was conducted in 2012, although some early practitioners still gather for informal reunions. Milblogging.com is owned by Military.com, which itself is part of Monster.com. Another Military.com holding, SpouseBUZZ, appears to be thriving in its service to military families.

More recently, the Milblogging.com index of military blogs has gone silent, and the founder's Twitter feed is similarly quiet.

Finally, as noted earlier this month, Doonesbury's "The Sandbox" mil-blog digest has gone into "archive" status, and is no longer updating with new content. Perhaps the reports of mil-blogging's demise are not unexaggerated?

In a blog-post titled "A Good Blog is Hard to Find: War Lit on the Web," Army officer and educator Peter Molin offers some great suggestions regarding mil-blogs focused on writing and creating art about war. Here's his Situation paragraph:
[I]n the years since [Colby] Buzzell’s My War and [Matt] Gallagher’s Kaboom galvanized Internet reading audiences the blog format’s luster has fizzled a bit and the Internet has changed structurally. In the face of competition from faster-moving, quicker-hitting social media forms such as Twitter and Facebook, it’s hard not for blogs to smell a little musty. As big money has upped the standards for web-based mass media and created plenty of outlets for the most distinctive voices, personal websites can seem quaint or a little bland. Still, they persist, reflecting and shaping popular opinion in a quieter, but still insistent vein.
Regarding war-lit, then, it may be a case of "the blog is dead, long live the blog!" Make sure to check out Molin's recommendations. (Disclosures: Molin explicitly mentions the Red Bull Rising blog in this post; and Molin's "Time Now" blog has long been featured in my own blog-roll, at right.)

As chronicled elsewhere, I started writing blog when I was preparing myself and my family for a deployment to Afghanistan. Part of my job in uniform involved fluency in blogging, social media, and other technological tools, and I decided to learn by doing. I started writing the Red Bull Rising blog in December 2009, but under a pseudonym, in order to avoid confusing my day job and my personal time.

In other words, I only started mil-blogging long after mil-blogging was cool. It was already past its peak. But it's not dead yet.

At writing and technology conferences, I've argued that "blogging" isn't necessarily a form of writing, any more than "newspapering." Rather, publishing a regular, first-person dispatch—call it an "online journal" if you will—continues to be a vital form of journalism, whether communicated via newsprint, Blogger, Facebook, Twitter, or even Pinterest. With other practitioners, I've taken to referring to the enterprise as "on-line journaling," with some success.

On-line journaling isn't dead.

Last year, Time magazine discontinued Mark Thompson's "Battleland," but the Washington Post recently launched "The Checkpoint." And the New York Times' "At War" blog continues to publish, despite the fact that Deputy National Editor James Dau has moved on to additional duties.

There's also been a recent boomlet of blogs focusing on military culture, policy, and analysis, often featuring a set of contributors. At Foreign Policy magazine, Tom Ricks' long-established "The Best Defense" blog is one of the more inclusive in terms of guest-editorial content, although the magazine's addition of a paywall seems to have decreased some of the utility of the free-wheeling comments section.

By, through, and with the younger turks, however, are venues such as "War on the Rocks" and "War Council Blog." A couple of others, "The Bridge" and "Point of Decision," notably take advantage of the Medium.com platform and format. All are blogs of curated and contributed editorial content, what Wikipedia labels as "social journalism."

Whatever you call it, and whatever your interest—politics, policy, literature, or the latest news—it seems that the practice of on-line journaling about the military is alive and well.

The mil-blog is dead! Long live the mil-blog! And, most of all, keep reading!

09 July 2014

Doonesbury's 'The Sandbox' Goes Into Archive Status

Excerpt from the 2006 announcement of "The Sandbox" project, then located on Doonesbury.com
"The Sandbox," a digest of mil-blogs and other original military writing, was recently placed into archive-only mode, back-dated to April 30, 2014. While for much of its run, "The Sandbox" appeared on the Slate magazine website, the content is now located on servers maintained by the Washington Post.

The site was created in October 2006 by Garry Trudeau, creator of the "Doonesbury" comic strip. Trudeau has used his art and multimedia platforms to consistently illuminate challenges faced by military personnel and their families, including: multiple deployments and separations; Improvised Explosive Devices; Post-Traumatic Stress Disorder; Traumatic Brain Injury; Military Sexual Trauma; "Don't Ask, Don't Tell", and more. While new posts will no longer appear on the site, the content will be maintained indefinitely as a first-person testament to how military service members and families answered their country's call, and how they weathered those challenges with character and humor.

According to the April 30 post: "The Sandbox contains over 800 posts by more than 150 contributors. It is a vast body of work—the equivalent of three-and-a-half Lord of the Rings trilogies. You will be rewarded for roaming and exploring its depths." The final blog-post also features Doonesbury cartoons, photographs, and videos from its nearly 8-year history.

In 2007, some "Sandbox" content was published in a hardcopy anthology.

Content from the Red Bull Rising blog appeared on "The Sandbox" between 2010 and 2014. (Here's a list.)

In a post-script, editor David Stanford writes, "The Sandbox has been one of the most satisfying projects of my 35-year career as an editor. To all who contributed, thank you, for your service and your words. I am grateful for the friendships made here. Onward!"

11 April 2014

Sherpa's Personal Stash of Posts from 'The Sandbox'

A personal collection of Doonesbury and 34th Infantry 'Red Bull' Division memorabilia
From 2010 to present, I was fortunate to have my writing occasionally featured by Doonesbury's "The Sandbox," which I discussed in a blog-post earlier this week.

Until I attempted to summarize there what lessons I'd learned as a mil-blogger, however, I hadn't counted the number of times I'd been so blessed.

I would like to extend my thanks to Sandbox editor David Stanford for his constant good humor, light touch, and efforts to tell the citizen-soldier story in first-person, present-tense. I was shocked and awed when Stanford tallied my appearances there at more than 30 times!

As something of my own Sandbox archive, here's a round-up of Red Bull Rising blog-posts featured there, along with date of publication. The links point to The Sandbox versions of the blog-posts; some originally appeared on the Red Bull Rising blog under different headlines. I've also taken the liberty of creating a label for blog-posts that mentioned or were featured on The Sandbox.

'Scenes from a send-off ceremony'
***** 2010 *****

***** 2011 *****
'A hard turn at Najil'

***** 2012 *****

***** 2013 to present *****

    09 April 2014

    Vietnam to Today, 'Doonesbury' Tells Soldiers' Stories

    During Operation Desert Storm—when I was a young lad going to school for my country—I carried in my cargo pocket a laminated Doonesbury comic strip, clipped out of a newspaper. (I've mentioned this in a blog-post before.) Doonesbury is written and drawn by Garry Trudeau. In my Desert Storm favorite, a Vietnam veteran was telling war stories to new soldiers. One of the soldiers asks, "Really, you shot your own officers?"

    "Just the dumb ones," replies the character B.D. "Lieutenants mostly."

    For me, who was then himself studying to be a young Army leader, the Doonesbury comic was the equivalent to that quote from "Patton" (1970). In that movie, the famous general tells of the ancient Roman practice of reminding its heroes that "all glory is fleeting."

    Earlier this year, the 65-year-old Trudeau announced the daily strip would be going on extended hiatus, so that he could focus on other projects—including the successful Internet-TV series "Alpha House."

    Parallel to that announcement came news that "The Sandbox," a Doonesbury-sponsored digest of first-person military writing about Iraq and Afghanistan, would soon cease publication of new content. The digest started in October 2006, when the practice of mil-blogging was just gaining recognition and popularity.

    Even though new content will soon cease, plans call for The Sandbox to remain on-line indefinitely as an archive of veterans' perspectives of Iraq and Afghanistan. (A 2007 print collection, "Doonesbury.com's The Sandbox: Dispatches from Troops in Iraq and Afghanistan," continues to be available via booksellers.)

    The Pulitzer Prize-winning Trudeau has long used comics to communicate stories to provoke and educate non-military audiences about the realities of war, service, and deployment. His character B.D. started out in the Vietnam War, served in the Gulf War, and lost a leg in the Iraq War. The more-recent character Leo "Toggle" DeLuca was injured in an ambush in Iraq, where he lost an eye and now has difficulty speaking. B.D.'s close friend Ray Hightower was diagnosed with Post-Traumatic Stress Disorder (P.T.S.D.). Melissa "Mel" Wheeler is an Army sergeant and a survivor of Military Sexual Trauma (M.S.T.). Her best friend is Roz, a soldier who happens to be gay.

    Vietnam War-era Doonesbury comics are being re-run on weekdays 
    during Garry Trudeau's extended hiatus. Many resonate with readers
    given present-day situations.
    In a time- and mind-bending twist, during the extended hiatus, the daily Doonesbury strip now features classic runs from the 1970s. Last week, the strip told the story of B.D.'s arrival in Vietnam. "I arrived in Vietnam yesterday and I must say, I love it," B.D. writes home. "I'm stationed at Firebase Bundy in the Delta and I've got my own bunker and machine gun!!" Suddenly, a heck of a firefight opens up overhead. "Well, have to run now. Much love, B.D."

    That reminded me of mil-blogging.

    It doesn't take much to see other parallels there, of writing letters from downrange, of communicating truths through humor, of finding yourself and your country stuck in a foreign place, uncomfortable and under fire.

    I hope Trudeau keeps telling his stories as long as he can. Our democracy and soldiers are well-served by truth-tellers, even those armed with a sense of snark. I can also hope, however, that my daughter and son will one day read Doonesbury—whether those from Vietnam or the Gulf War or Iraq—and maybe not understand as many of the jokes as I did.

    Before and after Afghanistan, my buddy Archer and I used to continually quote the 2004 Battlestar Galactica TV series, which was itself a nod to the concept of eternal return: "All this has happened before, and all this will happen again." What does it say that we recognize ourselves and our wars in some funny pages first published more than four decades ago?

    While I no longer wear a uniform, I now keep that favorite Doonesbury strip in my journalist go-bag. It reminds me of the good old days, and keeps me humble. Even though history may not repeat itself, after all, it sure does rhyme upon occasion.

    All this has happened before.

    And all glory is fleeting.

    10 March 2014

    On Mil-Blogs, Lessons-Learned, and Why We Write

    I remember my parents exchanging through the mail these little 3-inch reel-to-reel audio tapes while my dad was flying into and around Vietnam. He was a navigator on a C-130 Hercules cargo plane during the war there. As a father now myself, I often wonder what it must have been like, to hear my tiny little voice for the first time that way.

    When I got word in 2009 that I was soon going to deploy to Afghanistan, I decided that I would start a journal—in part, because I wanted to leave behind my own time capsule, my own snapshots, a version of my own set of audio tapes. I also wanted to be able to one day explain to my children—after they got older, of course—just what was so darned important that I had to leave them and their mom for a whole year of their young lives.

    I published those journal entries on the Internet, as a military blog. I was a citizen-soldier, and my Army job involved technologies such as blogs and social media. My bosses in uniform kept asking for my opinions, and I needed some first-hand knowledge. I figured that there's nothing like learning by doing. Besides, it's always better to ask forgiveness than to ask permission, right?

    Still, because Army attitudes and policies about bloggers were mixed at the time—indeed, that's why my bosses kept asking for well-grounded opinions—I started writing under a pseudonym. And, as a further experiment in organizational awareness, I didn't tell my bosses about the blog. It was only months later that some of my buddies figured it out, after they recognized a story in which they'd been involved.

    What I didn't realize at the time was that I was also creating a useful persona—one that didn't let politics, bad jokes, or rank get in the way of telling good stories. "Charlie Sherpa" wasn't out to get anyone in trouble, or to laugh at anyone's expense but his own. To my surprise, I also found that many of my readers were spouses and families. "My husband doesn't tell me about his day when he gets home from training," one reader wrote. "Thanks for helping explain what he may be going through."

    After years of making physical, mental, spiritual, and legal preparations for Afghanistan—and just days before the unit was to leave—I got bumped off the deployment. I decided to stay on the figurative roller coaster, however. I would continue to write a journal, for my buddies, their spouses, and their kids. I followed the Iowa unit as a citizen-solider, and later as a civilian writer, to Mississippi and California and then to Afghanistan. I'm still writing today.

    That shouldn't come as a surprise. You see, parallel to my 20 years with the National Guard, I was also a newspaper and magazine editor. I'm now a freelance writer. I even have a specialty, backed up by a graduate degree in architectural studies, in writing "how to" articles about architecture, home remodeling, technology, and neighborhood planning. That's the reason my former commander used to joke about me writing for "Better Hootches and Gardens."

    In my military career, I was an Army communications guy. Not public affairs—that's something else. I was all about radios and computers. On weekend drills and active-duty deployments, I was a messenger, rather than media.

    Late in my time with the military, however, I fell into a couple of longer-term but temporary active-duty gigs as a "lessons-learned integrator." I was, in effect, a "how-to" writer for Uncle Sam, part of the first state-level National Guard lessons-learned integration ("L2I") team.

    My teammate was an Army-trained broadcast journalist. Our mission was to "document and disseminate lessons from deploying and deployed soldiers," in order to inject them back into our state's training efforts. In a fantastic display of laissez-faire leadership, our bosses even empowered us to invite ourselves to any meeting or training event we thought would be relevant.

    We called the team "L2I Iowa." The Army Center for Lessons Learned ("CALL") at Fort Leavenworth, Kansas, even adopted us as their own. We were an Army of Two.

    Here's what I learned as an L2I guy. Nearly everyday, I apply these definitions. It's something of a personal philosophy:
    • A "lesson" is knowledge gained from experience.
    • A "lesson-learned" knowledge gained from experience that results in a change to organizational or individual behavior.
    • "Lessons-learned integration" is the practice of sharing with others that knowledge you've gained from experience. So they don't make the same mistakes you did. And so that we multiply our collective successes.
    So, after 5 years of blogging, including a short stint as civilian media embedded with my old unit downrange in Eastern Afghanistan, here's some knowledge gained from experience, put down on paper and the Internet. The usual L2I caveats apply, of course: "Every story is a sample of 1. Your results may vary. Take what advice you need, leave the rest."

    *****

    Lesson No. 1. Blogging is journalism.

    A "blog" is an on-line journal. The words "journaling" and "journalism" share not only a root, but an objective: Document the facts and funnies of the day. Regardless of whether you lock it up in a diary under your bed, or publish it to the World Wide Web, or print it in a newspaper, all that matters is the standards to which you hold yourself as a writer. There are good reporters, and there are bad reporters. And you don't need to call yourself a "journalist" to be a good reporter.

    Just remember Sherpatude No. 3: "Never speak with complete authority regarding that which you lack direct knowledge, observation, and/or suppressive fires."

    *****

    Lesson No. 2: Every deployment is a story. Every story has a beginning, a middle, and an end.

    There's a quote attributed to John Paul Vann, who served as a both a military and civilian adviser during the Vietnam War: "We don't have twelve years' experience in Vietnam. We have one year's experience twelve times over." I think about that quote a lot, but I apply it to Afghanistan.

    The Iowa National Guard deployments I helped document in 2007 were not the deployments of 2010. Those earlier deployments involved 16-soldier teams of "embedded advisers," who were spread out and partnered up with Afghan troops and police. That whole "advise and assist" theme coming out of Afghanistan today? The National Guard started doing that job in 2003.

    By 2010, however, the Iowa National Guard was preparing to send 3,000 citizen-soldiers to Afghanistan as one unit. Army news releases noted it was "the largest deployment of Iowa citizen-soldiers since World War II."

    Iowa's 2nd Brigade Combat Team, 34th Infantry "Red Bull" Division (2-34th BCT) arrived in Afghanistan to relieve Vermont's 86th Infantry Brigade Combat Team. Oklahoma's 45th Infantry "Thunderbird" BCT arrived to replace the Red Bull. In each case, state and local media in those states told our respective deployment stories: Beginning, middle, and end. Then, the war moved on. Afghanistan was a moveable feast.

    We haven't fought 13 years of war in Afghanistan. We've fought 13 different wars, a year at a time.

    The news media hasn't covered 13 years of war in Afghanistan. We've covered the war one state at a time, one unit at a time.

    "Beginning, middle, end."

    "Wash, rinse, repeat."


    *****

    3. Everybody has their own war.

    In literature, the story goes, every narrative can be reduced to one of two prompts:
    • "A hero goes on a journey."
    • "A stranger comes to town."
    I think a deployment is a combination of the two: "A hero goes on a journey" ... but "a stranger comes back." No, I'm not arguing that all veterans are somehow broken, or crazy, or a potential danger to themselves or others. Military experience, however, is like any major life experience. It changes people. Sometimes, that's a good thing. Sometimes, it leaves scars. And, if you want to write about war, you have to write about those changes.

    Why did we go to war in Iraq, or in Afghanistan? In the absence of a grand strategic narrative from our national leaders—or reported context from our media—our veterans are left to answer the question of what their war was all about. A hero goes on a journey, a stranger comes to town, and he or she spends the rest of his days trying to figure what it all meant.

    "Everybody has their own war" has become a personal mantra. It's a good reminder to be humble, and to first do no harm—whether in your writing, or your everyday actions, or even just listening to people on social media. Everyone's experiences downrange, after all, were different. Everyone left back at home had experiences, too. We need to listen to each other, regardless of age, gender, color, branch of service, or military job.

    Because, while everybody has their own war, people shouldn't have to fight theirs alone.

    *****

    4. Homecoming is a journey, not a destination.

    My journey to Afghanistan may have had an end, but the story didn't stop there. I thought I would pack up my body armor and helmet, write my blog (and perhaps a book), and move out smartly. Instead, I've found myself repeatedly returning to veterans issues and military themes—sometimes, in ways that surprised me.

    Some of my words, for example, have been published and republished in venues such as Doonesbury's "The Sandbox," and the Southeast Missouri State University Press "Proud to Be: Writing by American Warriors" anthologies. A 2012 Military Experience and the Arts Symposium on the campus of Eastern Kentucky University, Richmond, was a lightning rod for meeting other veterans and military supporters engaging in creative work. I've also participated as a cast member in a theatrical production of The Telling Project, in which veterans and military family members from all eras shared their own stories of service and sacrifice.

    Finally, during the annual Iowa Remembrance Run, I've been humbled to read aloud the names of those Iowans who have given their lives during the wars in Iraq and Afghanistan. (Four were "Red Bull" soldiers who deployed in 2010-2011.) Some day soon, I hope, we'll be able to stop adding names to that list.

    Meanwhile, there are more and more literary publications focusing on military-themed writing, whether from veterans or others. The telling of our stories is just beginning.

    "A lesson is knowledge, gained from experience." Share yours.

    I once had a favorite journalism professor—his name was Bob Woodward, but not the one you're thinking of—mark in red in two words of praise in the margins of a term paper I'd written. I try to pass along his encouragement whenever I can, particularly when I'm working with other writers who are veterans or military family members:

    "Keep writing!"

    Or, like the Red Bull says: "Attack! Attack! Attack!"

    22 January 2014

    Doonesbury's Mil-blog Digest to Cease Operations Soon

    After seven years of presenting original writing from military service members—and reposting content from their blogs—the editor of Doonesbury's "The Sandbox" warned this week that the website will cease publishing new content "at some point in the not-too-distant future."

    At the same time, editor David Stanford issued a call for past and potential contributors to share some last thoughts on war and coming home:
    [B]efore we get to that moment I would like to extend an (urgent) invitation to everyone who has posted on the site over the past seven years: If there is one more story you’ve been meaning to tell, one final reflection on your deployment, or your reintegration, or anything else—please send it to me soon at themanagement@doonesbury.com. [...]

    And if you are a deployed soldier, returned vet, caregiver, or family member, and you have been meaning to write something for The Sandbox; well, it’s not too late. But it will be soon...
    Doonesbury creator Garry Trudeau has long been a supporter of military veterans, and has regularly illuminated stories involving deployments, PTSD, MST, and other difficult topics for non-military audiences. Those efforts include platforms such as "The Sandbox."

    Launched in October 2006, the Doonesbury website billed itself as a "GWOT hot wash, straight from the wire." Where once mil-bloggers offered a first-person alternative to war zone journalism, however, observers have noted a general trend away from blogging in recent years. In a possible parallel, the annual Milblogging.com conference was placed on hiatus last year, along with its related "Milbloggie" awards. That said, the Milblogging.com index continues to add new military blogs on a regular basis, and regularly posts items about military blogs and social media.

    Plans call for the "The Sandbox" site to be made into a permanent on-line archive. A 2007 print collection, "Doonesbury.com's The Sandbox: Dispatches from Troops in Iraq and Afghanistan," also continues to be available via booksellers.

    01 January 2014

    Will 'Tactical Fortune Cookies' Work in Garrison Life?

    A couple of years ago, while preparing for deployment to Afghanistan with the Iowa National Guard's 2nd Brigade Combat Team, 34th Infantry "Red Bull" Division, I wrote a few blog posts about tactical fortune cookies.

    During breaks in pre-deployment training, the story went, my buddies and I would often lunch on Chinese food. Afterwards, we'd read aloud the predictions found in our complimentary fortune cookies, adding the words "on the deployment" to each. Hilarity ensued.

    As I wrote at the time: "Yes, it's awfully similar to the sophomoric practice of adding the words '... in bed.' We have no problem with that."

    Good jokes and old habits die hard. To this day, I continue to collect those little slips of fortune-filled paper.

    As the pendulum begins to swing back from the regular overseas deployments of an Army at war, to the cut-budget, cut-throat, spit-and-polish chickensh--tery of an Army stuck at home, I thought I'd revisit our pre-deployment practice of quoting cookies. This time, however, with the words "in garrison."

    I am pleased to report that the cookies continue to deliver worthwhile results.

    Some messages, for example, sound like the comments snarky raters might write on job performance evaluations. Perhaps these should be filed under "damning with ambiguous praise"?
    • "You always find yourself at the center of attention ... in garrison."
    • "You have an active mind and a keen imagination ... in garrison."
    • "You are a bundle of energy, always on the go ... in garrison."
    • "You have the ability to do several things at one time and do them all well ... in garrison."
    • "You are sociable and entertaining ... in garrison."
    Some sound more like philosophical (or maybe political?) advice:
    • "He who walks with wolves, learns to howl ... in garrison."
    • "What you plant now, you will harvest later ... in garrison."
    • "A modest man never talks to himself ... in garrison."
    • "Some folk want their luck buttered ... in garrison."
    • "At 20 years of age, the will reigns; at 30, the wit; at 40, the judgments ... in garrison."
    Finally, there are those that sound full of doom and foreboding. Take these as warnings:
    • "You will attend a party where where strange customs prevail ... in garrison."
    • "That one is not sleeping, does not mean they are awake ... in garrison."
    • "People learn little from success, but much from failure ... in garrison."
    • "No man is free who is not master of himself ... in garrison."
    • "Heroism is endurance for one moment more ... in garrison."
    Happy New Year! May you find contentment in your cantonment in the months to come!

    As always, thanks for your readership of the Red Bull Rising blog! Best wishes for a happy, peaceful, and prosperous 2014!

    23 December 2013

    Have Yourself a Sherpa Family Christmas!


    OPORD 12-2013: "OPERATION REINDEER GAMES" ... ALL TIMES SIERRA

    I. SITUATION: TASK FORCE SHERPA continues holiday sustainment operations vicinity FOB LIVINGROOM.
    1. Enemy Forces: 
    Refer to Appendix X, "Naughty List." 
    2. Friendly Forces / Attachments: 
    a. One (1) soldier, callsign "SCOOP," from TF GI-JOE Mobile Public Affairs Detachment, location OP ELFONSHELF.  
    b. One (1) Pathfinder-qualified soldier from 1225th Special Operations Aviation Regiment ("The Night-stockers"), callsign "RUDOLPH," location AO ROOFTOP.
    c. Five (1) soldiers from 334th Brigade Support Battalion, 2-34th BCT attached as Forward Logistics Elf Element (FLEE), callsign "WORKSHOP," location AO UNDERTREE.
    d. Ten (10) 03s-a-leaping from HHC, 2-34th BCT attached as command-and-control cell.
    PHOTO: 34th Combat Aviation Brigade, Minn. Army National Guard
    3. Weather and Terrain: 
    High of 29 degrees Fahrenheit; low of 18 degrees. No effects on current snow cover. Condition WHITE for sleigh-borne operations.
    4. Illumination:
    The moon on the breast of the new-fallen snow will give the lustre of mid-day to objects below. Moonrise is 250005DEC13; peak illumination is 53 percent. Civil twilight is 250710DEC13. Sunrise is 250742DEC13. 
    As noted in After Action Reviews of past holiday ops, however, SUGARPLUM elements have been known to stir well before light conditions warrant, or even Christmas Reveille.
    II. MISSION
    "TF SHERPA secures LANDING ZONE CHIMNEY NLT 242330DEC13 and conducts resupply via reindeer-drawn miniature sleigh during hours of darkness prior to 250710DEC13. On order, commences opening of presents and distribution of holiday themes and messages."
    III. EXECUTION
    1. Commander's Intent:
    TF SHERPA will conduct safe and secure receipt of Christmas gifts, minimizing boots-on-ground time and distractions for RED-RYDER-6. Endstate is a Happy Christmas to all personnel, and to all a good night.
    2. Concept of Operation:
    We will start by ceasing all garrison activities, troop movements, and roving patrols beginning 242100DEC13. No personnel should be stirring. Not even a mouse. Stockings will be hung by the objective with care. All SUGARPLUM elements will be nestled all snug in their bunks. 
    RED-RYDER-6 will arrive LZ CHIMNEY during hours of darkness, and will successfully evade detection by SUGARPLUM elements and local civilian air-traffic control. 
    Following the operation, TF SHERPA personnel will prepare to conduct Key Leader Engagements with both sides of the family. 
    Throughout this operation, TF SHERPA personnel will also reinforce themes and messages of "Peace on Earth, goodwill to all" via appropriate official STRATCOM channels, including social media and telephone.
    3. Maneuver:
    Under no circumstances should unauthorized personnel stir to investigate clatter from exterior areas, including rooftops.
    4. Fires:
    On order, 1-194th Field Artillery will provide 1.55 cm artillery-delivered tinsel as chaff to defeat detection of TF RED-RYDER by regional air-traffic control radar.
    5. Coordinating instructions:
    Authorized sleeping uniform is kerchief, cap, or green fleecy hat; MultiCam pajamas; and red-and-white "candy stripe" reflective safety belt. Noise and light discipline will be maintained per SOP. Senior personnel are encouraged to employ red-light headlamps or night-vision devices.
    6. Specific instructions:
    Headquarters will redeploy public affairs team member SCOOP from OP ELFONSHELF to vicinity LZ CHIMNEY for documentation of gift-giving operations NLT 250700DEC13. Mission focus will be on "telling the Christmas story by telling our Army story."
    IV. SERVICE & SUPPORT
    1. 334th BSB will provide (1) Meal, Ready-to-Eat to RED-RYDER-6. Ranger cookies and shelf-stable milk are appropriate. On order, also provide one (1) 64 lb. bag of Reindeer Chow.
    2. Religious services are 241900DEC13, and 251000DEC13.
    V. COMMAND & SIGNAL
    1. Location of Key Leaders: 
    HOUSEHOLD-6 and HOUSEHOLD-7 will be in the command bunker after 242100DEC13. 
    2. Succession of command: 
    HOUSEHOLD-6, HOUSEHOLD-7, SUGARPLUM-1, SUGARPLUM-2, and the dog INDIANA. 
    3. Callsigns: 
    Holiday callsigns are NOT authorized. Under no circumstances should SUGARPLUM elements refer to HOUSEHOLD-6 as "NUTCRACKER-6." The previously published SOI was in error. HOUSEHOLD-7 is very, very sorry. 
    4. Challenge / Password for 24DEC13 is: "SMOKE" / "WREATH." 
    5. Challenge / Password for 25DEC13 is: "BOWLFUL" / "JELLY." 
    6. Running password is "FIGGY PUDDING."
    VI. SAFETY
    1. Use ground guides when backing reindeer. 
    2. Use drip pans and chocks when parking sleighs. 
    3. Don't drink nog and drive. 
    4. "Safety first, Christmas always."

    27 November 2013

    Hail and Farewell, and a Prayer of Thanksgiving

    Members of the Iowa National Guard's 833rd Engineer Company (833rd Eng. Co.) this week returned from clearing mines in Afghanistan, while 40 members of Bravo Company, 248th Aviation Support Battalion (248th A.S.B.) are heading out to Kosovo.

    It is a time of thanksgiving and prayer. In his annual Thanksgiving letter, Army Maj. Gen. Timothy Orr, the adjutant general of the Iowa National Guard, put it this way:
    In the first time in 12 years, the Iowa National Guard does not have units currently deployed to Iraq and Afghanistan, but we do have individual deployers in the Central Command theater and one unit preparing at their mobilization station for deployment to Kosovo. It is a time to pause, to reflect, and to remember those who have sacrificed so much to insure liberty for all of us.
    I've always held "Iowa's Engineers" in high regard. Back in the day, I was a member of the 833rd Eng. Co.'s higher headquarters. The Hawkeye patch they wear echoes the Mexican-water-jug shape of the 34th Infantry "Red Bull" Division patch.

    During one field exercise with the Engineers, I found myself selected to fill-in for the chaplain for the evening prayer. I always like to say that I can be spontaneous, but I usually need to plan ahead. While the commander was speaking in front of the formation, I jotted down a few words.

    In the years that have followed, I've thought about those words often. I wish I could find that notecard now, but have tried to re-create the sentiment and spirt of the thing here. I think it still works as an all-purpose prayer of thanksgiving, and offer it here:
    Dear Lord,

    Help us clear the obstacles we create for ourselves, and protect us from our enemies' actions. Provide us strength, wisdom, forgiveness, and humor.

    In your name and example, let us try to be better leaders, and followers, and friends to each other.

    Keep our buddies close, our spirits up, and our rucksacks full. Most of all, keep our homes and families safe.

    Thank you for our many blessings, and the opportunity to serve.

    Essayons ... and amen.
    *****

    Photos by Army Staff Sgt. Chad Nelson. For more pictures of the recent send-off ceremony for Bravo Company, 248th ASB, click here. For more pictures of the 833rd Eng. Co. homecoming, click here.