Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

17 March 2020

Mil-Writing Contest Expands to Include Family

Darron L. Wright PHOTO: Line of Advance
Editors of Chicago-based non-profit literary journal Line of Advance have announced an expansion of the Col. Darron L. Wright Memorial Writing Awards will include additional prose (includes fiction, creative non-fiction, and hybrid forms) and poetry categories for spouses, parents, and children of U.S. service members and veterans.

Since 2016, the Wright Awards have annually recognized excellence in prose and poetry by U.S. military service members and veterans. With today's announcement, the Col. Darron L. Wright Memorial Writing Awards expands to four categories. Cash prizes of $250, $150, and $100 will be available in each of the following:
  • Service Member/Veteran Prose (includes fiction, creative non-fiction, hybrid)
  • Service Member/Veteran Poetry
  • Family Member Prose (includes fiction, creative non-fiction, hybrid)
  • Family Member Poetry
“The Line of Advance proudly serves as a leading venue for the best of ‘veterans-lit,’ with works by men and women who have served in all uniforms and in all eras,” says the journal’s editor-in-chief Christopher Lyke, who will also edit the anthology. “We are also grateful to the underwriters of our cash prizes, who, through their generosity, help promote creatively crafted veterans’ stories to wider audiences.”

“Also, by expanding the contest to include family members, we hope to better recognize the scope of sacrifices military families make on our behalf, in war and peace,” Lyke says. “Some of today’s most insightful, inspiring literary engagement on themes of war and service is coming from military-adjacent writers.”

In February, Line of Advance announced that a forthcoming print and e-book anthology will collect the winning entries from the first five years (2016-2020) of the competition. The anthology will be published in October 2020. This year’s Darron L. Wright award finalists will be included in the anthology.

Submissions for the 2020 Darron L. Wright awards open May 1, 2020 and close May 31, 2020. Winners will be notified not later than Aug. 31, 2020. More details are forthcoming.

Administered by the journal since 2016, and underwritten by the Blake and Bailey Foundation, the awards commemorate a U.S. Army leader and author who was killed in a September 2013 parachute training accident. Darron L. Wright, 45, had deployed three times to Iraq, and was author of a 2012 memoir “Iraq Full Circle: From Shock and Awe to the Last Combat Patrol in Baghdad and Beyond.”

Middle West Press LLC is a Johnston, Iowa-based editor and publisher of non-fiction, fiction, journalism, and poetry, with projects that feature the unique voices of the American Midwest. As an independent micro-press, we publish one to four titles annually. The Line of Advance/Col. Darron L. Wright Awards anthology will be the sixth of our titles involving war and military themes.

25 February 2020

Anthology to Celebrate Darron L. Wright Awards

Editors of Chicago-based non-profit literary journal Line of Advance have announced a forthcoming print and e-book anthology will collect the winning entries from the first five years (2016-2020) of the annual Col. Darron L. Wright Memorial Writing Awards.

The awards annually recognize excellence in prose and poetry by U.S. military service members and veterans. Cash prizes of $250, $150, and $100 are available in each category.

“The Line of Advance proudly serves as a leading venue for the best of ‘veterans-lit,’ with works by men and women who have served in all uniforms and in all eras,” says the journal’s editor-in-chief Christopher Lyke, who will also edit the anthology. “We are also grateful to the underwriters of our cash prizes, who, through their generosity, help promote creatively crafted veterans’ stories to wider audiences.”

This year’s Darron L. Wright award finalists will be included in the anthology. Submissions for the 2020 Darron L. Wright awards open May 1, 2020 and close May 31, 2020. Winners will be notified not later than Aug. 31, 2020. More details are forthcoming.

The projected release date for “Line of Advance: A Celebration of Darron L. Wright Memorial Awards Finalists, 2016-2020” is Oct. 13, 2020.

Administered by the journal since 2016, and underwritten by the Blake and Bailey Foundation, the awards commemorate a U.S. Army leader and author who was killed in a September 2013 parachute training accident. Darron L. Wright, 45, had deployed three times to Iraq, and was author of a 2012 memoir “Iraq Full Circle: From Shock and Awe to the Last Combat Patrol in Baghdad and Beyond.”

Middle West Press LLC is a Johnston, Iowa-based editor and publisher of non-fiction, fiction, journalism, and poetry, with projects that feature the unique voices of the American Midwest. As an independent micro-press, we publish one to four titles annually. The Line of Advance Darron L. Wright Awards anthology will be the sixth of our titles involving war and military themes.

15 October 2019

Mil-Writers Anthology to be Published December 2019

In a one-of-a-kind anthology, more than 60 leading and emerging writers—novelists, essayists, journalists, poets, podcasters, playwrights, and more—offer their professional how-to secrets, techniques, and inspirations around themes of war and the military.

Published in partnership with the non-profit Military Writers Guild, “Why We Write: Craft Essays about Writing War” is projected to be published Dec. 10, 2019. The line-up of notable and best-selling authors includes, in no particular order:
Established in 2017 for the purpose of promoting professional collaboration in the practice of writing, the Military Writers Guild (www.MilitaryWritersGuild.org) has grown to comprise more than 150 past and present service members, as well as civilians with experiences in international relations, national security, journalism, and intelligence.

“To some, the term ‘military writing’ evokes images of orders, annexes, and stacks of memorandums feeding the bureaucratic machine,” notes Christopher G. Ingram, the current president of the organization. “However, our members are intellectually curious, professionally engaged, and widely published across a range of creative and professional writing.”

“Most importantly, we’re always motivated to exchange lessons and insights with others,” Ingram says. “Partnering with best-selling authors and Middle West Press has been an ideal force-multiplier, in our organization’s inaugural publishing project.”

Middle West Press LLC (www.MiddleWestPress.com) is a Johnston, Iowa-based editor and publisher of non-fiction, fiction, journalism, and poetry. As an independent micro-press, we publish one to four titles annually. “Why We Write” is the first of its projects conducted in partnership with an association, and the fifth of its titles involving war and military themes.

28 September 2018

Notes from a War, Literature & the Arts Conference

Author, actor, and former U.S. Marine Benjamin Busch signs a copy of his 2012 memoir "Dust to Dust" at the 2018 War, Literature & the Arts conference conducted September 20 and 21 at the U.S. Air Force Academy. Photo: Jesse Goolsby
Editor's note: This blog post has been cross-posted from The Aiming Circle, where we cover news and tips regarding military-themed writing.

More than 600 academics, students, creators, and others attended the 2018 War, Literature & the Arts conference September 20 and 21 on the campus of the U.S. Air Force Academy, Colorado Springs, Colo. This year's event coincided with the 30th anniversary of the War, Literature & the Arts Journal, an annual multidisciplinary publication curated by the institution's English faculty, students, and alumni.

While an annual lecture series regularly brings literary talent to campus, the full conference tends to appear with the regularity of Brigadoon. The last such conference, for example, was apparently conducted in 2010.

The schedule was jam-packed, with three keynote speakers, and four seminar and performance blocks each day. (Two in the morning, and two in the afternoon.) Hosted in the over-21 cadet lounge, a social hour with cash bar was conducted Thursday afternoon. Lunches were "on the economy"—the cadet student union features a small food court, with sandwich, salad, and pizza options.

While it was impossible to do and see everything and everyone, I hope to illustrate the depth and breadth of the event by re-posting here some observations from my notebook and Twitter account:

***

Julie Saffel, presenting on “Milblogs & Blooks”: “The first wave of war writing is often the most glutinous ...” (Also: author Colby Buzzell is “the Blogfather.”) Later told her my Red Bull Rising blog was probably a “Third Wave” mil-blog. Not a first-adopter, but not one of the last, either.

***

Melissa Parrish, presenting on the work of Sebastian Junger (including "War"): “Junger usefully blurs the line between participant & spectator [slipping between “we” & “I”]—combatant & non-combatant—to usefully interrogate civil-military interactions.”

***

One personal highlight of the conference: Getting a chance to use Q&A time to thank USAF Vietnam War veteran Dr. Dean F. Echenberg for including the works of 21st century soldier-poets (including my own) in his collection, which he recently donated to Harry Ransom Center! Here's a list of such 21st century war poetry.

***

Much to my shock, Echenberg's fellow panelist, Lisa Silvestri of Gonzaga University's "Telling War" project, then reflected some love back, telling the audience her students really enjoyed my book! ("Welcome to FOB Haiku: War Stories from Inside the Wire.") That exemplified the vibe at the conference–lots of inspiring, affirming energy!

***

More quotes from the WLA conference: Oliver Jones on “Weaponized Poetics: The Avant-Gardes of the Revolution in Military Affairs": “Design Thinking has become so indoctrinated [in mil-planning], it seems now to be doing the very things that it was intended to disrupt.”

***

Not going to share all the WLA18 barroom hilarity & wisdom, but I still think this quote from Colin D. Halloran deserves its own T-shirt: “Whenever I feel down, I read ‘Ozymandias.’” Buy his books here and here.

***

Lightning-bolt insight that came to me via Toby Herzog’s WLA18 talk, “The Thing He Carried & the Story He Told”: Tim O’Brien was an Radio-Telephone Operator "R.T.O.")—a battalion radio guy, who helped maintain commo logs. A privileged position of blended participation/observation within an organization!

***

Speaking of Tim O’Brien at WLA18, Rolf Yngve took us on wonderfully nuanced journey, connecting the Magical Realism of O’Brien’s “Going After Cacciato” with the presenter’s real-world work of helping homeless veterans write resumés.

***

Elsewhere, in the same presentation regarding “Maps, Charts, Cartography, and Memory in the Battlespace of Fiction, Poetry & Memoir” WLA18 , Elizabeth T. Gray Jr. and Mark D. Larabee each explored how graphical & textual descriptions of terrain both affect & effect memory ...

... which led me to remember: In U.S. Army operations orders, we brief weather and terrain under “Situation, Enemy.” At some level, that almost suggests that we grant the terrain agency. That “even the ground is out to get us.”

***

Bonus from Mark D. Larabee’s talk: World War I was a “Golden Age of Cartography,” with many technologies coming together: trigonometric survey, multicolor lithography, etc. British teams produced 34+ million maps—365,000 per (linear?) battlefront mile!

***

Bonus from poet Elizabeth T. Gray Jr.: A quadranted taxonomy of terrain as either “real”/“imaginary” (think “Ypres” vs. “Mordor”) and “background”/“agented” (bet the latter includes Fangom Forest?). She also mentioned how some Tibetan Buddhists believe that evil spirits can inhabit the ground. Based on that, I later shared with her this poem: "leaving empty."

***

More Sherpa notes and personal high points from WLA18. Discovering a mutual interest in serious regard for military humor apparent in Lydia Wilkes‘ “Laughing about War with [David Abrams'] ‘Fobbit’”!

***

Lydia Wilkes quoted U.S. Army Chief of Staff Gen. Mark Milley in her WLA18 presentation on military humor: “It's not ‘Forever War.’ It’s ‘Forever Train-and-Advise.’” I was reminded of Sherpatude No. 26: "Humor is a combat multiplier …"

***

Sherpa’s takeaway from Lt. Gen. (USAF, Ret.) Christopher Miller’s (U.S. Air Force Academy Class of 1980) WLA18 talk “Yesterday at War with Tomorrow: Language as a Strategic Variable”: As a military (and society?), we need to reconcile with “strategic value” as greater or equal to “battlefield valor.”

***

Sherpa’s takeaway from David Eisler's WLA18 talk “Influence of the Shift to an All-Volunteer Force on American War Fiction”: As quantifiably compared to Vietnam War novels, OIF/OEF novels may be increasingly generated by non-veterans!

***

Sherpa’s takeaway from Caleb Cage‘s WLA18 talk “The All-Volunteer Force and the Civil-Military Divide”: There are 4 binary “master narratives” at play in every OIF/OEF story/debate:
1. “War of Choice”
2. “The Prez is a Cowboy”
3. “What’s Phase 4?”/“No Plan”
4. “The Surge”
***

Sherpa’s takeaway from combat medic (& future physician assistant) John Howell Jr.’s WLA18 talk “Building Resilience through a [pre-deployment!] Literature-based Discussion Program”: Try talking about movies, rather than books! Also: “Logan” (2017) may resonate with troops.

***

A full conference schedule is available as a PDF here.

Want to receive exclusive early-bird notice of military-themed writing opportunities, events, and markets? Join our community of practice for as little as $1 a month! Details here: www.patreon.com/aimingcircle.

19 April 2018

Iowa Review's Writing Contest for Vets Opens May 1

Jeff Sharlet during service in Vietnam
The submissions window for a fourth Jeff Sharlet Memorial Award for Veterans writing contest opens Tues., May 1, 2018 and closes June 1, 2018. The contest is open to any service member or veteran writing in any genre, about any subject matter. (Current students, faculty, or staff of the University of Iowa, however, are not eligible to enter the contest.)

The contest is hosted by The Iowa Review and made possible by the family of Jeff Sharlet (1942–1969), a Vietnam veteran and anti-war writer and activist.

Unlike the first two iterations of the contest, there is no entry fee for the contest.

Prize is $1,000 and publication in The Iowa Review. Second place is $750. Up to three runners-up will receive $500 each.

Entrants should submit an original double-spaced manuscript in any genre (poetry, fiction, creative non-fiction) of up to 20 pages. Simultaneous submissions are acceptable, although the editors request timely notification if the work is later accepted elsewhere.

Submissions may be made either on-line or via postal mail.

A webpage with full details and specifications for the Jeff Sharlet Memorial Award for Veterans can be found here. A Submittable page for on-line submissions is here.

Historically, this is an extremely competitive contest. The Aiming Circle strongly recommends that potential participants review examples of works previously recognized through this contest. Materials from previous iterations of the Jeff Sharlet Memorial contest have been collected on-line here. Or read the previous issues containing Jeff Sharlet contest awardees:
Finalists will be selected by the editors of The Iowa Review. A winner will be selected by the guest judge. This year's judge is poet and memoirist Brian Turner, author of "Here, Bullet" and "My Life as a Foreign Country." Individuals with past personal or professional relationship with the judge are not eligible for the contest.

A Facebook page for The Iowa Review is here.

14 February 2018

War-writing Events at AWP 2018, Tampa, Fla.

The annual Association of Writers & Writing Programs (A.W.P.) national conference is March 7-10, 2018. It will be the 51st anniversary of the event. This year, it's being held in Tampa, Fla.

The annual event brings together approximately 12,000 writers, educators, students, editors, and publishers, and travels to different cities each year. A concurrent bookfair showcases more than 800 exhibitors.

A searchable, on-line schedule for the event appears here.

While the motivational value of networking with fellow travelers and cocktails with friends should never be discounted, much of the intellectual energy of the conference is to be found in panel discussions and presentations. Good topics challenge our perspectives and presumptions, and AWP includes any number of potential conversations about war and conflict, veterans issues, population displacement, and related topics:

In the spirit of Sherpatudes Nos. 1 and 15, here's what we know so far about "war writing" panels, presentations, and readings at AWP2018: Please direct corrections and suggested edits/additions to: sherpa AT redbullrising.com.

***** THURSDAY, March 8, 2018 *****

9:00 a.m. to 10:15 a.m.
Room 13, Tampa Convention Center, First Floor

R126. Silenced Dimensions in Crisis and Conflict. (Catherine Parnell, Jasmin Darznik, Martha (Max) Frazier, Monica Sok, Danuta Ewa Hinc)
In narratives about international conflict, women writers, and those identifying as women, are marginalized and grossly underrepresented. Exposing their lack of visibility and peeling back the layers of privilege is the goal of Consequence magazine’s tenth anniversary issue, and we’ve dedicated our Spring 2018 issue to women writers. In this panel, we’ll talk to four writers who write about the culture and consequences of war and activism, and how they see writing as a path to peace.

12 noon to 1:15 p.m.
Room 1, Tampa Convention Center, First Floor

R182. Arab & Muslim Writers Surviving Trump's America: A Reading and Discussion Presented by Mizna. (Lana Barkawi, Glenn Shaheen, Sagirah Shaheed, Jess Rizkallah, Tariq Luthun)
Heeding Edward Said’s call for cultural resistance to “write back” against forces seeking to marginalize and vilify Arabs and Muslims, Mizna, the only Arab American lit journal, presents its issue themed “Surviving” with readings and discussion about our communities’ latest bouts with xenophobia and Islamophobia. Acclaimed and important emerging authors will discuss the maneuvers the Trump era has us making—resisting, dodging, bearing, and more—surviving.

3:00 p.m. to 4:15 p.m.
Grand Salon C, Marriott Waterside, Second Floor

R234. Writing Toward the Margins: When the Stereotypes Are Also Your Story. (Monica Prince, Mike McClelland, Penny Dearmin, Natalie Sharp, Adam Sirgany)
Submission calls strive to include voices of marginalized identities, but many do this by requesting work that pigeonholes writers. Writers of intersecting marginalized identities balance writing what an audience “expects” and real life. How do writers address the stereotypical markers of their work (as women, POC, veterans, LGBT+ community, etc.) while also honoring their life stories? This panel explores stereotypes for marginalized writers while navigating expectation and truth.

3:00 p.m. to 4:15 p.m.
Grand Salon D, Marriott Waterside, Second Floor

R235. Humanizing “the Enemy”: Veterans Share Poetry of Reconciliation. (Toni Topps, Kevin Basl, Anthony Torres, Aaron Hughes) Veterans and service members have received a lot of attention over the past decade, with politicians and media focusing on themes of sacrifice, heroism, and trauma. But what about those countries attacked and occupied by the US? Inspired by the work of Maxine Hong Kingston, Warrior Writers and others representing the Veteran Art Movement will read original poetry of reconciliation and cross-cultural understanding, turning the focus towards Iraqis, Afghans, and others affected by US militarism.

4:30 p.m. to 5:45 p.m.
Room 5 & 6, Tampa Convention Center, First Floor

R279. Hometown Nocturnes: A Reading by Arab American Writers. (Leila Chatti, George Abraham, Zaina Arafat, Hazem Fahmy)
Five award-winning Arab American writers will present rich, multilayered poems and essays. This is an engaging and electric intergenerational reading from texts as varied as chapbooks, spoken word, Buzzfeed essays, and poetry collections. The writers explore topics such as the pain of diasporic existence; the political undercurrent of everyday life; and cultural taboos of sexuality and death.

4:30 p.m. to 5:45 p.m.
Room 13, Tampa Convention Center, First Floor

R283. Reimagining America: Reading by Children of Vietnamese Refugees. (Lauren Bullock, Nghiem Tran, Cathy Che, Vt Hung, Paul Tran)
Forty-three years after the Vietnam War, exile to the United States continues to haunt life for children of Vietnamese refugees. Five nationally award-winning poets and fiction writers will perform new work investigating how imperialism, migration, sexual violence, queerness, and our families’ silence about the War shapes our craft decisions and community activism. We’ll specifically examine the collision of longing and belonging, nostalgia, and the imperative to imagine new definitions of home.

***** FRIDAY, March 9, 2018 *****

9:00 a.m. to 10:15 a.m.
Room 1, Tampa Convention Center, First Floor

F120. Women, War, and the Military: How to Tell the Story. (Mariana Grohowski, Helen Benedict, Tracy Crow, Mary (M.L.) Doyle, Jerri Bell)
Five writers—three military veterans and two civilians—weigh the pros and cons of telling military women’s stories through fiction versus memoir. Is the novel still better, as Virginia Woolf argued, at representing the private discourses of women’s lives to the public? Or does the memoir better afford women the opportunity to write themselves into history? What can a novel do that a memoir cannot, and vice versa? Is there a reason why more women veterans have turned to memoir than to fiction?

10:30 a.m. to 11:45 a.m.
Ballroom A, Tampa Convention Center, First Floor

F149. Strong Medicine: The Poetry of Addiction. (Dawn McGuire, Kaveh Akbar, Lynn Emanuel, Owen Lewis, Nick Flynn)
From Horace to Hass, poets have both lauded and vilified getting high. The “milk of paradise” can lead to masterworks, while addiction deserts ambition and destroys lives. In this panel, five award-winning poets, including two physician-poets, explore the swerve from inspiration to ruination from different perspectives and diverse writing styles. Themes of addiction in self, family, mentors, patients—e.g., post-9/11 veterans—as well as the seductive intimacy of shared intoxication, are featured.

1:30 p.m. to 2:45 p.m.
Room 11, Tampa Convention Center, First Floor

F222. Go Home! Asian American Writers Imagine Home Beyond a Place. (Rowan Hisayo Buchanan, Gina Apostol, Karissa Chen, Rajiv Mohabir, Esmé Weijun Wang)
For many immigrant writers, home is more and less than a place. Home might be found in a language that one is losing one’s grasp of. Home might have been lost in the aftermath of war. Home might be an impossibility. The writers on this panel, all contributors to the new anthology Go Home!, discuss how they navigate ideas of home in their writing. How can fiction, nonfiction, and poetry approach home? What does it mean to write for people with different ideas of home?

1:30 p.m. to 2:45 p.m.
Room 17, Tampa Convention Center, First Floor
F228. Above, Beyond, and After Duty: Teaching Creative Writing to Veterans. (Steve Kistulentz, Jesse Goolsby, Seema Raza, Lovella Calica, Matt Young)
Working artists across multiple genres discuss the challenges and rewards of teaching writing to veterans and active duty service members. In our panel discussion, we will cover institutional and individual approaches to pedagogy, why this work is worth doing, and how to do this emotionally exhausting and occasionally triggering work sustainably in university and community settings. Panelists will also discuss how their own writing has been influenced by working with this unique population.

3:00 p.m. to 4:15 p.m.
Room 23, Tampa Convention Center, First Floor

F266. The Role of the Expatriate Writer in Times of Political Upheaval. (Connie May Fowler, Xu Xi, Donald Quist, Abayomi Animashaun)
During periods of deep political turmoil, do expatriate writers bear special responsibilities? Do we return home and resist or do we, from our perches abroad, seek to create a more nuanced, globally informed narrative? Our panelists live in far flung reaches—Hong Kong, Mexico, Paris, Southeast Asia—and will discuss how they deal with urgent issues such as dissent, war, American policy, terror, and climate change as both writer and other in a world in which being neutral is not an option.

***** SATURDAY, March 10, 2018 *****

9 a.m. to 10:15 a.m.
Florida Salon 5, Marriott Waterside, Second Floor

S114. Conflict, Crisis, Verse: Four Poets in Conversation. (Peter Molin, Jehanne Dubrow, Dunya Mikhail, Benjamin Busch, Brian Turner)
During a period of political exigency and social anxiety, how can poets and poetry teach, inspire, connect, and heal? Four widely published and celebrated poets—two military combat veterans, an Iraqi-American emigre, and the spouse of a military officer—draw on the urgency and insight born of their experience of war to trace the dynamic relationship of poetic voice and technique, personal circumstance and perspective, and turbulent national and global events.

10:30 a.m. to 11:45 a.m.
Meeting Room 1, Marriott Waterside, Second Floor

S144. The Value of Redemption When Writing YA Literature About Protest and Violence. (Ann Angel, Debra Brenegan, Heather Lee Schroeder, Artress Bethany White)
Recognizing the conflict inherent in protest and how protest ignored can lead to violence and war, writers instinctively examine the redemptive qualities found in protest and transform their communities by opening readers to diverse ideas and challenges. This panel of writers and writing teachers provides a powerful opportunity to help participants recognize the many ways that protest can effect redemptive resolutions through the written word.

10:30 a.m. to 11:45 a.m.
Meeting Room 9 & 10, Marriott Waterside, Third Floor

S146. Crossings and Crosses: Caribbean Women Writers on Immigration, Deportation, and Identity . (Jennifer McCauley, Donna Aza Weir-Soley, Fabienne Josaphat, Anjanette Delgado, Katia D. Ulysse)
Long before the Trump era, Caribbean writers have long been concerned with issues surrounding immigration. As subjects of colonial powers "crossing the sea" has long been our preoccupation whether it was to seek out opportunities for economic advancement, to pursue higher education or to fight in various wars for our colonial "Mother country." Our writing, like that of Junot Díaz or Ana Menendez, addresses immigration including assimilation, acculturation, nostalgia, identity, and deportation.

10:30 a.m. to 11:45 a.m.
Room 1, Tampa Convention Center, First Floor

S151. Giving Voice to Nontraditional Populations Through Storytelling. (Deborah Finkelstein, Robert McKenzie, Alfonso Ramirez, Charles Rice-Gonzalez)
How do we give voice to nontraditional populations? Through storytelling. We will discuss successful methods of working one-on-one or in groups with members of nontraditional populations including the elderly, veterans, the incarcerated, young adults with special needs, and multilingual speakers. We’ll demonstrate exercises for sharing stories with actors to create a collaborative piece as well as methods for individuals to write their stories as short stories, monologues, poetry, and plays.

10:30 a.m. to 11:45 a.m.
Room 11, Tampa Convention Center, First Floor

S155. Subverting the Stereotypes: Performances by Warrior Writers and Combat Hippies. (Lovella Calica, Nicole Goodwin, Hipolito Arriaga, Allen Minor) Military veterans and service members are often used as commercial and political props. This reading will offer performances by two veteran-focused literary organizations challenging veteran stereotypes that not only stifle constructive dialogue about war and its consequences, but also fuel US militarism. These poetic performances will present veterans as the diverse social group they are, while also encouraging other veterans to speak truth to power.

12 noon to 1:15 p.m.
Room 14, Tampa Convention Center, First Floor

S188. Not Heartwarming: Beyond Military and Feminine Tropes in Veterans’ Stories. (Dorothy Hasson, Krista Tucker, Sonya Lea)
How do we create new narratives in a culture dominated by conventional war stories? Stories of women veterans are less emphasized in our culture, and are often challenging to write and teach, due to the fragmentation resulting from military sexual trauma and PTS. Two mentors discuss working with under-represented populations alongside two of their students—a young veteran forced to alter her gender to survive a war, and a mature veteran who broke traditional female roles to survive the military.

31 January 2018

Darron L. Wright Awards Deadline is March 15, 2018

Darron L. Wright PHOTO: Line of Advance
Creators of the Chicago-based digital military-lit journal "Line of Advance" have recently called for submissions to the Third Annual Col. Darron L. Wright writing awards. The contest is named after a U.S. Army officer and author who served on three Iraq War deployments, who was killed in a stateside parachute training accident on Sept. 23, 2013. He was 45.

Line of Advance Editor Chris Lyke writes:
Thanks to a generous donation from the Blake and Bailey Foundation, Line of Advance is presenting the Col. Darron L. Wright Award. Like us, Darron Wright was a soldier: a larger than life infantry commander with several tours under his belt. And also like us, Col. Wright was a writer: a thoughtful, reflective artist, eager to tell the truth about his men with compassion and a commander’s eye. This award is presented in his name in an effort to honor his memory.
The contest is currently accepting both prose (category includes both fiction and non-fiction) and poetry. Deadline is March 15, 2018. Contest is open to military service members and veterans.

Three finalists will be named, with $250, $150, and $100 prizes each to be awarded. Submissions may be made via the journal's website here. Make sure to specify "contest" at the end of the title field.

According to a corresponding note on the publication's Facebook page, all contest submissions will be published on the website, and winners will be chosen by a panel of veteran and non-veteran writers and poets.

In addition to other assignments, Darron Wright served as battalion operations officer for 1st Battalion, 8th Infantry Regiment, 3rd Brigade, 4th Infantry Division, Fort Carson, Colo., with whom he deployed to Iraq from 2003 to 2004. Wright was next assigned as brigade executive officer with 4th Brigade, 4th Inf. Div., Fort Hood, Texas, with whom he deployed to Iraq from 2005 to 2006. He commanded the 1st Battalion, 509th Parachute Inf. Reg. at the Joint Readiness Training Center, Fort Polk, La. in 2007. From 2009 to 2013, Wright was assigned as deputy brigade commander for the 4th Stryker Brigade, 2nd Inf. Div., with whom he deployed to Iraq from 2009 to 2010.

A graduate of the U.S. Naval War College, Wright authored "Iraq Full Circle: From Shock and Awe to the Last Combat Patrol in Baghdad and Beyond." in 2012.

Wright's full biography appears here.

"Darron L. Wright was a larger than life Soldier’s Soldier. He was a physically imposing, direct, and skilled warrior," the Line of Advance editors write.
He was also witty, hilarious, generous, kind, and wholly consumed with love for his family. He will certainly be missed but he will never be forgotten. His intellectual curiosity, boundless optimism, and untiring work ethic, allowed him to reach heights he could only dream of as a young boy growing up in Mesquite, Texas. It is in this spirit that the Darron L. Wright Award was created, to inspire fellow military writers and poets to aspire to become better and more accomplished at their craft and at telling their story.

24 January 2018

7th Veterans-Lit Anthology Deadline: June 1, 2018!

Deadline for submissions to a seventh volume titled "Proud to Be: Writing by American Warriors"—an anthology of military-themed fiction, non-fiction, poetry, essays, oral histories, and photography—is June 1, 2018. The project is open to all military personnel, veterans, and family members.

According to the call for submissions, each category carries a first-prize of $250. All entries will be considered for the anthology. There is no entry fee to the contest or publication.

Through the efforts of the Warriors Arts Alliance, the Missouri Humanities Council, and Southeast Missouri State University Press, the first "Proud to Be" volume was published in November 2012.

"[T]his series of anthologies preserves and shares the perspectives of our military and veterans of all conflicts and of their families," reads the Southeast Missouri State University Press contest page. "It is not only an outlet for artistic expression but also a document of the unique aspects of wartime in our nation’s history."

With second, third, and fourth issues, the press established itself as a leading venue for "veterans-lit," consistent in both quality and quantity. In 2014, the press also published "The Shape of our Faces No Longer Matters," a poetry collection by U.S. Marine veteran Gerardo "Tony" Mena.

The tradition of excellence continued with the fifth and sixth issues.

Red Bull Rising blog reviews of past issues of the "Proud to Be" anthology appear here and here.

For a 2012 Red Bull Rising interview with original series editor Susan Swartwout, click here.

Submissions must be made through the Southeast Missouri State University Press Submittable page here. According to guidelines:
    • Put your name and contact info on first page and nowhere else on the manuscript.
    • Limit one submission in each category per person.
    • Poetry: up to 3 poems (5 pages maximum). Keep poems in one document (with 1st poem as title).
    • Fiction, essay, or interview: 5,000-word limit.
    • Photography: up to 3 good-quality photos (will be printed in the book as black and white).
    • Submissions exceeding the limits will be disqualified.
    • Include a biography of 75 words or less with each submission. Explicitly mention author's connection to military.
    • Winners and contributors will be notified by Nov. 1, 2018.

    06 December 2017

    New Essay Reveals the Origins of the 'Red Bull' Patch!

    From the writer of the Red Bull Rising blog! New work includes "10 haiku about Operation Desert Storm," appears in the latest volume of "Proud to Be: Writing by American Warriors" anthology series, released earlier this week! Written in the snarky spirit of "Welcome to FOB Haiku: War Poems from Inside the Wire," the work includes such gems as:
    Saddam promises
    the “Mother of All Battles”
    if we take Kuwait.

    Voice of Darth Vader
    adds commercial gravitas:
    “This ... is C.N.N.”

    Laser-guided gaze
    reveals war is really just
    Super Nintendo.
    Also appearing in the 230-page anthology is "Marvin Cone Goes to War," a 3,000-word essay about how artist Marvin Cone, then a U.S. National Guard private first class from Cedar Rapids, Iowa, came to design the 34th Infantry "Red Bull" Division insignia. The story involves trips that Cone took with his unit's officers, into the New Mexico desert, seeking out treasures from archeological dig sites first established by Smithsonian Institution scientists. Think of it as ... "Raiders of the Lost Bowl"!

    Published by the Southeast Missouri State University Press, the book can be purchased via Amazon here.

    Other recently published books about the 34th Inf. "Red Bull" Division can be found at this link.

    11 October 2017

    Same Mission, Different Verse: The Aiming Circle

    When I first started writing the Red Bull Rising blog in December 2009, it was partly because I needed to learn about blogging technology and practice for a then-upcoming full-time Army job, and partly to document for my very young children what had been so gosh-darn important that I had to leave home for a year.

    Later, when I got dropped off the deployment list for Afghanistan, I found myself writing in order to translate and document the experience for my buddies' families.

    I eventually traveled to Afghanistan on my own dime (and my wife's airline miles), and embedded with my former unit as civilian media in May-June 2011.

    In each and all of these endeavors, I've followed the same mission statements:
    • To explain in plain language the roles, responsibilities, and routines of the U.S. citizen-soldier, with particular focus on the U.S. 34th Infantry "Red Bull" Division.
    • To illuminate ways in which citizen-soldiers past and present--as well as their families--can be remembered, supported, and celebrated.
    After I retired from the Army National Guard, I found myself exploring different forms of art and writing other than journalism, often during events that brought service members, families, and veterans together to share military experiences. Since then, I've been published many times as a poet and essayist.

    I wrote an award-winning book, "Welcome to FOB Haiku: War Poems from Inside the Wire," which was published in 2015.

    I also helped collect and edit a 668-page book of news articles and photographs generated by the 2nd Brigade Combat Team (B.C.T.), 34th Infantry "Red Bull" Division during its deployment. That book is "Reporting for Duty: U.S. Citizen-Soldier Journalism from the Afghan Surge, 2010-2011," published in 2016.

    As I've continued to generate poetry, essays, and other military-themed writing, I've sought to encourage and enable others do to the same. I regularly signal-boost publishing opportunities via a special "Get Published" page on the Red Bull Rising blog. I conduct how-to workshops and seminars. I edit the poetry section of the non-profit Military Experience & the Arts' "As You Were" literary journal. I peer-mentor via conversations with my fellow members of the Military Writers Guild.

    Having grown beyond military blogs, "Veterans Lit" is now a vital and vibrant field of practice. I'll include in this label any man or woman, military or civilian, who attempts to build community and mutual understanding through art and writing. This is not just writing to express one's feelings (as it is so often dismissively regarded)—this is doing the hard work of stitching society back together.

    It may be time to expand the effort to include more fronts, and to ask for more active engagement by my fellow practitioners.

    You can continue to read about citizen-soldiers and how to support them at the Red Bull Rising blog here, and at the related Facebook page here. That includes occasional humor, news, events, and reviews of books, movies, and other media of potential interest to military service members and their families.

    You can continue to read about my adventures as citizen-soldier-poet at the FOB Haiku blog here, and at the related Facebook page here.

    And now, if you are a fellow practitioner of military writing—poetry, fiction, non-fiction, essay, you name it—you can help support and explore a growing amount of how-to coverage at The Aiming Circle blog here, and at the related Patreon page here.

    06 September 2017

    Tennessee Group Announces Veterans-Writing Retreat

    Blog editor's note: The following post is based on press release materials. No endorsement is necessarily to be implied.

    Sundress​ ​Academy​ ​for​ ​the​ ​Arts (SAFTA)​, Knoxville, Tenn., ​announce​s ​its​ ​first​ ​writing​ ​retreat​ ​for​ ​veterans​ ​will be held​ ​Oct. 7-8,​ ​2017.​ ​This​ ​2-day​ ​retreat​ ​at​ ​SAFTA's​ 45-acre ​Firefly​ ​Farms​ ​is​ ​for​ ​military​ ​veterans​ ​and​ ​current​ ​service​ ​members​ ​and​ ​will​ ​be a​ ​space​ ​for​ ​creativity,​ ​writing​ ​exercises,​ ​discussions​ ​on​ ​ways​ ​to​ ​write​ ​about​ t​rauma,​ ​advice​ ​on​ ​publishing,​ ​and​ ​more.​ ​This weekend​ ​will​ ​be​ ​an​ ​opportunity​ ​to​ ​express​ ​shared​ ​experiences​ ​and​ ​learn​ ​to​ ​write​ ​your​ ​story​ ​for​ ​a​ ​non-military​ ​audience.

    A​ ​weekend​ ​pass​ ​includes​ ​one-on-one​ ​and​ ​group​ ​instruction,​ ​writing​ ​supplies,​ ​food,​ ​drinks,​ ​and​ ​all​ ​on-site​ ​amenities​ ​for $75.​ ​​ ​Tents,​ ​sleeping​ ​bags,​ ​and​ ​other​ ​camping​ ​equipment​ ​are​ ​available​ ​to​ ​rent.

    The​ ​event​ ​will​ ​be​ ​open​ ​to​ p​eople​ ​of​ ​all​ ​backgrounds​ ​and​ ​experience​ ​levels​ ​and​ ​provide​ ​an​ ​opportunity​ ​to​ ​work​ ​with talented,​ ​published​ ​fiction​ ​writers​ ​and​ ​poets,​ ​including​ ​Jeb​ ​A.​ ​Herrin​ ​and​ ​Jan​ ​LaPerle.

    Jeb​ ​A.​ ​Herrin​ ​was​ ​a​ ​medic​ ​with​ ​the​ ​3r​d​​ ​Infantry​ ​Division​ ​during​ ​Operations​ ​Iraqi​ ​Freedom​ ​and​ ​New​ ​Dawn.​ ​He​ ​earned​ ​his BA​ ​in​ ​English​ ​and​ ​MFA​ ​in​ ​Poetry​ ​from​ ​the​ ​University​ ​of​ ​Tennessee,​ ​where​ ​he​ ​was​ ​the​ ​2016​ ​winner​ ​of​ ​the​ ​John​ ​C.​ ​Hodges Award​ ​for​ ​Creative​ ​Writing​ ​for​ ​Poetry.​ ​His​ ​work​ ​can​ ​be​ ​found​ ​in​ ​​Political​ ​Punch​​ ​and​ ​​O-Dark-Thirty​.​ ​Jeb​ ​has​ ​future​ ​plans of​ ​blending​ ​the​ ​world​ ​of​ ​composition​ ​with​ ​creative​ ​writing​ ​as​ ​well​ ​as​ ​finding​ ​ways​ ​to​ ​make​ ​the​ ​voice​ ​of​ ​the​ ​veteran​ ​heard. He​ ​lives​ ​in​ ​Knoxville​ ​with​ ​his​ ​wife,​ ​son,​ ​and​ ​two​ ​dogs.

    Jan​ ​LaPerle​ ​lives​ ​in​ ​east​ ​Tennessee​ ​with​ ​her​ ​husband,​ ​Clay​ ​Matthews,​ ​and​ ​daughter,​ ​Winnie.​ ​She​ ​has​ ​published​ ​a​ ​book​ ​of poetry,​ ​​"It​ ​Would​ ​Be​ ​Quiet"​​ ​(Prime​ ​Mincer​ ​Press,​ ​2013);​ ​an​ ​e-chap​ ​of​ ​flash​ ​fiction,​ ​​"Hush"​​ ​(Sundress​ ​Publications,​ ​2012); ​a story​ ​in​ ​verse,​ ​​"A​ ​Pretty​ ​Place​ ​To​ ​Mourn" ​​(BlazeVOX,​ ​2014);​ ​and​ ​several​ ​other​ ​stories​ ​and​ ​poems,​ ​and​ ​in​ ​2014​ ​she​ ​won​ ​an individual​ ​artist​ ​grant​ ​from​ ​the​ ​Tennessee​ ​Arts​ ​Commission.​ ​LaPerle​​ ​was​ ​on​ ​active​ ​duty​ ​at​ ​Fort​ ​Campbell​ ​for​ ​three​ ​years and​ ​has​ ​spent​ ​12​ ​years​ ​as​ ​an​ ​Army​ ​reservist,​ ​most​ ​recently​ ​as​ ​a​ ​career​ ​counselor.

    We​ ​have​ ​two​ ​full​ ​scholarships​ ​available​ ​for​ ​the​ ​retreat​ ​as​ ​well​ ​as​ ​limited​ ​partial​ ​scholarships​ ​for​ ​those​ ​with​ ​financial​ ​need. To​ ​apply​ ​for​ ​a​ ​scholarship,​ ​send​ ​a​ ​brief​ ​statement​ ​on​ ​why​ ​you​ ​would​ ​like​ ​to​ ​attend​ ​this​ ​workshop​ ​and​ ​an​ ​optional​ ​packet​ ​of no​ ​more​ t​han​ ​eight ​pages​ ​of​ ​creative​ ​writing​ ​to​ ​Erin​ ​Elizabeth​ ​Smith​ ​at​: ​​erin AT sundresspublications DOT com​​ ​no​ ​later​ ​than Sept.​ ​15,​ ​2017.​ ​Scholarship​ ​recipients​ ​will​ ​be​ ​announced​ ​shortly​ ​thereafter.

    Space​ ​at​ ​this​ ​workshop​ ​is​ ​limited​ ​to​ ​15​ ​people,​ ​so​ ​reserve​ ​your​ ​place​ ​today​ ​at: https://squareup.com/store/sundress-publications/item/veterans-writing-retreat

    The​ ​Sundress​ ​Academy​ ​for​ ​the​ ​Arts​ ​(SAFTA)​ ​is​ ​an​ ​artists'​ ​residency​ ​that​ ​hosts​ ​workshops,​ ​retreats,​ ​and​ ​residencies​ ​for writers,​ ​actors,​ ​filmmakers,​ ​and​ ​visual​ ​artists.​ ​All​ ​are​ ​guided​ ​by​ ​experienced,​ ​professional​ ​instructors​ ​from​ ​a​ ​variety​ ​of creative​ ​disciplines​ ​who​ ​are​ ​dedicated​ ​to​ ​cultivating​ ​the​ ​arts​ ​in​ ​East​ ​Tennessee.

    19 July 2017

    'As You Were' Now Open to Writing & Art Submissions

    Editors at the literary journal "As You Were," published by the 501(c)3 non-profit organization Military Experience & the Arts, have opened the window for submitting poetry, fiction, and non-fiction until Aug. 14, 2017. Submissions will be considered for the journal's upcoming seventh issue, to be published FREE on-line in November 2017.

    According to a website page describing the organization's publishing history and philosophy:
    Our title ["As You Were"] also connotes a harkening back, an exploration of the self and the past. We’re interested in those words and works of art that are brave enough to cut through rank and time, presenting military experience honestly, free of the white-washing that can appear in today’s war literature and art. We’ve published numerous volumes since 2011, providing each contributor–regardless of whether that contributor has published 25 words or 25 books–with some form of one-on-one consultation if they wanted it.
    As previously reviewed on the Red Bull Rising blog, the journal "As You Were" uniquely packages its submissions process as something akin to a virtual writing workshop. Unlike the thumbs-up-or-down approach of other journals, writers of all experience levels may engage in multiple drafts with peer editors and readers, while preparing pieces for publication. Regardless of whether a piece is accepted after one edit or many, however, the objective, however, is always the same: Help writers find new ways to document and communicate the military experience.

    Military service members, veterans, family members, and others may submit writing and art. Works must previously unpublished, either in print or on-line, although they may be simultaneously submitted to other journals.

    For poetry submissions guidelines, click here.

    For fiction submissions guidelines, click here.

    For non-fiction submissions guidelines, click here.

    For visual arts submissions guidelines, click here.

    Disclosure: The writer of the Red Bull Rising blog is also the poetry editor of "As You Were" literary journal.

    14 June 2017

    Book Review: "Granola, MN" by Susanne Aspley

    Book Review: "Granola, MN: Love and War in a Nutty Little Town" by Susanne Aspley

    Set in a fictional rural town in modern-day Minnesota, Suzanne Aspley's "Granola, MN" is a light-hearted romp through some potentially dark territory, including such topics as drug addiction, losing a child, and what it means to come home from war. It's bursting with Middle Western charm, snark, and wisdom.

    Aspley's characters are full of character, new regional archetypes who each have their flaws, but who also generally support and believe in each other. The tone is snappy and fresh, so laugh-out-loud and dialogue-driven that it seems ready-made for a small art house film. Think "Northern Exposure" meets "What's Eating Gilbert Grape?" Or "Gilmore Girls" as narrated by the clear-eyed, smart-mouthed title character in "Juno."

    The exurban setting of Granola, Minn. (pop. 2,000) is rich with details that ring true, such as old-school hardware stores that serve free popcorn to customers, and sounds-about-right business names such as Git-n-Split, Liquor Pig, Taco Gong, and Chub Grocery.

    Aspley's narrator-protagonist is the quietly ambitious Allison Couch (like the thing you sit on), who dreams of one day buying the town's hardware store, in order to save it from the clutches of the local real-estate hustler. Her friend and mentor, Mr. Whitehead, owns the "last Alamo of Granola's original downtown stores." The county building inspector, who also happens to own the adjacent strip mall, covets Whitehead's land for its potential as a parking lot. Plot-wise, that tension is far from the only thing going on, but it serves as an effective zipline through the book's smaller adventures.

    Content with the day-to-day rhythms of Granola, Allison's worldview gets a little bigger when she meets Toby, a military veteran who was awarded the Silver Star for actions in Afghanistan. Toby has recently moved in with his mom, the principal of the area high school. The townspeople want to celebrate Toby with a float in the Fourth of July parade. Toby's relationship to the war, however, is complicated.

    "People think I'm some kind of hero," he tells Allison. "But I don't feel like one. There's a clown jury, a box of bozos in my head that keeps telling me I'm guilty because I'm alive. And the jury don't stop replaying the evidence. […] I wish I could have save them all, or none of them. Or kill all the Taliban, or none of them. I don't like the feeling of playing God, like it was up to who I should save, or kill, or not."

    Says the well-grounded Allison, a little earlier: "I think it's normal to be different after a war. You'd be crazy if it didn't affect you, but you gotta manage it a little better. And you can't do that alone, or by not letting people help you."

    In short, "Granola, MN" is a delight. Nothing too deep, unless you think about it a little more. Or read it more than once. And, given how packed it is with wisecracks and jokes and plainspoken pearls of wisdom, you'll want to do both.

    Author Susanne Aspley is a retired 20-year veteran of the U.S. Army Reserve. During her 20-year military career as a photojournalist, she deployed to places such as Bosnia, Cuba, Kuwait, and Panama. She is also a former drill sergeant, and served in Thailand as a member of the Peace Corps in 1989-1991. She has written two novels, and multiple children's foreign-language books.

    "Granola, MN" is available in trade paperback and Kindle format.

    10 February 2017

    AWP2017: How Flyover Country Responds to War

    "Middle Americans" and writers, from left to right: Mary Doyle; Matthew Hefti; Randy "Sherpa" Brown; Kayla Williams; Angela Ricketts. Photo by Andria Williams
    (Blog editor's note: Updated February 14 to include photo of panelists and MP3 audio file link.)

    Today is Fri., Feb. 10, 2017. I'm pleased to be moderating the following session at the Association of Writers and Writing Programs convention in Washington, D.C. As previously noted on the Red Bull Rising blog, this is one of many AWP2017 sessions related to war-writing.
    Session F110: "The Middle Americans: How Flyover Country Responds to War"
    Marquis Salon 6, Marriott Marquis, Meeting Level Two
    Fri., Feb. 10, 2017: 9 a.m. to 10:15 a.m.
    By various measures, rural Americans are more likely to enlist in the US armed forces. Despite isolation from traditional centers of publishing and military power, voices with Midwestern roots have sprung forth like dragon's teeth to deliver clear-eyed, plainspoken views of war, service, and sacrifice. The civilians and veterans of this stereotype-busting panel of published writers offer their insights regarding themes, trends, and markets in fiction, nonfiction, and poetry.
    A downloadable PDF listing of panelists, including biographies and contact information, is here.

    (Posted February 14: A downloadable MP3 audio file of the session, good enough for note-taking, is here. Smaller file here.)

    Panelists include:

    RANDY BROWN
    *****

    MARY DOYLE
    *****

    MATTHEW HEFTI
    *****

    ANGELA RICKETTS
    *****

    KAYLA WILLIAMS

    07 February 2017

    Re-posted: War-Writing Events at AWP2017

    Blog-editor's note: Much of this post first appeared on the Red Bull Rising blog Nov. 2, 2016.

    The annual Association of Writers & Writing Programs (A.W.P.) national conference is this week, from Feb. 8 to 11, 2017. It will be the 50th anniversary of the event. This year, it's being held in Washington, D.C.

    The annual event brings together approximately 12,000 writers, educators, students, editors, and publishers, and travels to different cities each year. A concurrent bookfair showcases more than 800 exhibitors.

    A searchable, on-line schedule for the event appears here.

    At his Time Now blog, military-lit critic and U.S. Army veteran Peter Molin has posted After Action Reports from earlier AWP conferences. He often comments about a growing cohort of "war writers," who leverage the AWP as something of a moveable feast. Here are some of his reports:
    While the motivational value of networking with fellow travelers and cocktails with friends should never be discounted, much of the intellectual energy of the conference is to be found in panel discussions and presentations. Good topics challenge our perspectives and presumptions, and it is particularly notable that AWP2017 includes potential conversations about transnational, multimedia, gendered/queer, poetic, regional, and "imperial" interpretations and applications of conflict, both past and present.

    In the spirit of Sherpatudes Nos. 1 and 15, here's what we know so far about "war writing" panels, presentations, and readings at AWP2017. After a quick-and-dirty Internet search, some of the authors below are linked book listings at Amazon. I have also annotated Military Writers Guild memberships in brackets. I look forward to filling in more biographical information in the weeks to come—each of the panelists, I believe, are worthy of seeking out, regardless of an easy hyperlink. Also note this list does not include off-site events, which can be expected to grow in number and intensity in the months to come.

    One final caveat: The writer of the Red Bull Rising blog is participating in two of the following panels.

    Please direct corrections and suggested edits/additions to: sherpa AT redbullrising.com.

    ***** THURSDAY, FEBRUARY 9 *****

    Thursday, Feb. 9, 2017: 9:00 to 10:15 a.m.
    Archives, Marriott Marquis, Meeting Level Four 
    R121. Writing in a Time of Terror and Environmental Collapse.
    (Imad Rahman, Jacob Shoes-Arguello, William Wenthe, Anne Sanow, Jacqueline Kolosov) How do writers give shape to the experiences of war, terrorism, and the disregard for life endemic on this planet? Muriel Rukeyser believed that denying the responsiveness to the world could bring forth "the weakness that leads to mechanical aggression... turning us inward to devour our own humanity, and outward to sell and kill nature and each other." Given global terrorism and the spoliation of the planet, the stakes in being able to respond are terribly high. Writers working in poetry, prose, and hybrid forms, will discuss their ways of meeting this challenge in their works past and present, including the difficulties they face and the sources from which they take inspiration.

    Thursday, Feb. 9, 2017: 9:00 to 10:15 am
    Room 101, Washington Convention Center, Level One
    R122. What Journalists Can Teach Literary Writers. (Yi Shun Lai, Valerie Boyd, Steven Levingston, William Gray, Moni Basu)
    In nonfiction, is it ever okay to fudge facts, timing, or quotes? For journalists, the answer is no, but literary authors can struggle with the balance of craft and facts. Nonfiction storytelling is an increasingly hybrid form, yet few creative writing students learn the journalism basics—how to interview people, attribute sources, or successfully incorporate research. This panel of print and broadcast journalists emphasizes the magic combination of accurate reporting and literary technique.

    Thurs., Feb. 9, 2017: 10:30 to 11:45 a.m.
    Supreme Court, Marriott Marquis, Meeting Level Four

    R144. Citizen-Soldier-Poet: Using Poetry to Bridge the Civil-Military Gap. (Randy Brown, Tessa Poppe, Frances Richey, Susanne Aspley, Eric Chandler [MWG member])
    With a boot on each side of the civil-military divide, America's citizen-soldiers and their families are uniquely positioned to bridge the gaps between our armed forces and the society they serve. Five civilian and military-veteran writers of poetry, memoir, and fiction read from their works and discuss how they have specifically used poetry in published, practical ways to promote peace, respect, understanding, and empathy.

    Thurs., Feb. 9, 2017: 1:30 to 2:45 p.m.
    Monument, Marriott Marquis, Meeting Level Four

    R209. From Verse to Stage and Screen, Veterans Adapt. (Brian Turner, Benjamin Busch, Maurice Decaul, Jenny Pacanowski, Peter Molin [MWG member])
    This panel features four war writers who are adapting verse and memoir into more public modes of expression: stage, screen, opera, and performance. The panelists will discuss the challenge of moving beyond the word to theatrically present the events and emotions inherent to combat and military life. Offering insight into issues of craft and collaboration, the panel explores how private modes of literary representation can be transformed into dramatic artworks produced and experienced socially.

    Thurs., Feb. 9, 2017: 4:30 to 5:45 pm
    Liberty Salon N, O, & P, Marriott Marquis, Meeting Level Four
    R279. The Politician as Writer: The Rise of the Political Autobiography. (Rachael Hanel, Jesse Goolsby [MWG member], Keith Urbahn, Stephanie Sheu-Jing Li)
    Cash donations, an advising team, focus groups—and a book? Barack Obama’s 2004 book, Dreams From My Father, started the recent trend of politicians who first hint at a national campaign by releasing an autobiography. Join the discussion as a literary agent, a novelist and former Pentagon speechwriter, and professors who study English and public relations critically examine these books from literary and marketing perspectives. Can a book be promotional and still have literary merit?

    ***** FRIDAY, FEBRUARY 10 *****

    Fri., Feb. 10, 2017: 9 a.m. to 10:15 a.m.
    Marquis Salon 6, Marriott Marquis, Meeting Level Two

    F110. The Middle Americans: How Flyover Country Responds to War. (Randy Brown, M.L. Doyle, Kayla Williams, Matthew Hefti, Angela Ricketts)
    By various measures, rural Americans are more likely to enlist in the US armed forces. Despite isolation from traditional centers of publishing and military power, voices with Midwestern roots have sprung forth like dragon's teeth to deliver clear-eyed, plainspoken views of war, service, and sacrifice. The civilians and veterans of this stereotype-busting panel of published writers offer their insights regarding themes, trends, and markets in fiction, nonfiction, and poetry.

    Fri., Feb. 10, 2017: 10:30 to 11:45 a.m.
    Capital & Congress, Marriott Marquis, Meeting Level Four

    F150. Workshopping War: The Challenges of War Writing in the Classroom. (Whitney Terrell, Jayne Anne Phillips, Matt Gallagher, Teresa Fazio, Anne Kniggendorf)
    Narratives about war and military life present unique challenges in workshop. How does personal trauma become a story? How can a teacher with no military experience advise a veteran? Or vice versa? Should war writers be encouraged to consider, say, the stories of Iraqis? How do gender and race enter the conversation? The panel pairs teachers of writing with students at work on narratives about war and the military. All have experience in MFA programs or veteran workshops like Words After War.

    Fri., Feb. 10, 2017: 1:30 to 2:45 p.m.
    Marquis Salon 12 & 13, Marriott Marquis, Meeting Level Two

    F207. U.S./Pacific Poets Confronting U.S. Empire. (Collier Nogues, Brenda Shaughnessy, Lawrence-Minh Bùi Davis, Lehua Taitano, Lyz Soto)
    U.S. military infrastructure in the Pacific enables both global US imperialism and the militarization of local communities there and throughout the US. Join five poets with ties to Okinawa, Guåhan (Guam), Vietnam, the Philippines, and Hawai‘i as they invite the audience to collaboratively envision how writers can use language and performance in our local, national, and international literary spheres to resist the linguistic and cultural violence of military imperialism.

    Fri., Feb. 10, 2017: 1:30 to 2:45 p.m.
    Virginia Barber Middleton Stage, Sponsored by USC, Exhibit Halls D & E, Convention Center, Level Two

    F224. Voices of Main Street. (Katie Manning, Yehoshua November, Colin D. Halloran, Leslie McGrath, Charlie Bondhus)
    Five winners of the Main Street Rag Poetry Book Award from 2009 to the most recent will read from their books. The reading will be moderated by Main Street Rag's publisher.

    Fri., Feb. 10, 2017: 4:30 to 5:45 p.m.
    Marquis Salon 3 & 4, Marriott Marquis, Meeting Level Two

    F272. 90 Years and Counting: A Reading Celebrating Prairie Schooner. (Ashley Strosnider, Brian Turner, Kevin Simmonds, Safiya Sinclair)
    A perfect time capsule of the diverse, experimental trends in American literary publishing, Prairie Schooner’s ninety-year legacy of uninterrupted quarterly publication charts the course of a little journal on the prairie and its path to becoming a key player among literary journals, publishing major contemporary American voices alongside an increasingly global list of contributors. Hear poets and fiction writers read work that speaks to where we’ve been and where we’re headed next.

    ***** SATURDAY, FEBRUARY 11 *****

    Sat., Feb. 11, 2017: 9 a.m. to 10:15 a.m.
    Room 202B, Washington Convention Center, Level Two

    S128. I Wouldn’t Go there if I Were You: Literary Journalism and the Craft of Writing Dangerous Places. (Benjamin Busch, Jennifer Percy, Elliot Ackerman, Deni Béchard)
    When writers of poetry, creative nonfiction, or fiction serve as overseas correspondents, the narratives they craft are deeply felt and unique. From travel and interpreters to notes and drafts, these writers ventured to the fringe to experience their stories. This panel explores how four writers chased curiosity into endangerment to bring back stunning portraits of war, disease, humanity, and environment in crisis and how they teach ways to write literary reportage in workshops and MFA programs.

    Sat., Feb. 11, 2017: 10:30 to 11:45 a.m.
    Room 102B, Washington Convention Center, Level One
    S154. Translating Iraq. (Alana Levinson-LaBrosse, Neil Shea, Heather Raffo, Andrew Slater)
    Since before the Iraq War began in 2003, Americans have worked to understand Iraq: a country incomprehensible to many of its own citizens. The major and minute divisions and the competing desires can overwhelm even the most conscientious observer. The participating American writers of this panel have lived and worked in Iraq. Bringing home Iraq's realities, whether through poetry, fiction, documentaries, Instagram, plays. or operas, is an act of delicate artistic and cultural translation.

    Sat., Feb. 11, 2017: 1:30 to 2:45 p.m.
    Marquis Salon 9 & 10, Marriott Marquis, Meeting Level Two
    S206. The New Normal in Nonfiction: Diverse Voices in Nonfiction from The Normal School. (Jericho Parms, Jaclyn Moyer, Sarah Minor, Steven Church, Matthew Komatsu [MWG member]) Four nonfiction writers representing diverse backgrounds, experiences, and perspectives consider questions of race, identity, family, culture, and consciousness. Representing emerging writers, students, farmers, first-book authors, and tenured MFA program faculty, the panel members have all been published recently in the literary magazine The Normal School. They celebrate a variety nonfiction styles, from the more traditional narrative essay to lyric essays and research-driven work.

    Sat., Feb. 11, 2017: 3 to 4:15 p.m.
    Room 202A, Washington Convention Center, Level Two

    S258. The Art of War: The Power and Role of the Writer in Times of Crisis. (Pireeni Sundaralingam, Viet Thanh Nguyen, Lidia Yuknavitch, David Shields)
    As an increasing percentage of the world is plunged into conflict, our panel brings together award-winning novelists, poets, and nonfiction writers to explore how creative writing can shape, distort, and challenge the way we understand war. Drawing on examples from our own work and the work of others, we will discuss the power of the written word in relation to image and other forms of propaganda, and share our personal experiences of how our books have influenced a wider political discussion.

    Sat., Feb. 11, 2017: 4:30 to 5:45 p.m.
    Marquis Salon 12 & 13, Marriott Marquis, Meeting Level Two

    S272. Writing War, Teaching Craft: Veterans & Cadets in the Creative Writing Classroom. (Mary Stewart Atwell, Kevin Powers, Ron Capps, Benjamin Busch, Katey Schultz)
    The upsurge in literary work by veterans has sparked an interest in teaching writing to this population, but a less-noted phenomenon has been the recent increase in course offerings in creative writing at service academies and military colleges. A panel of writers and teachers who have worked with both veterans and cadets—those returning from war, and those preparing to serve—put these two groups into new and enlightening conversation.

    Sat., Feb. 11, 2017: 4:30 to 5:45 p.m.
    Liberty Salon N, O, & P, Marriott Marquis, Meeting Level Fou
    r
    S277. Poetry in the Age of the Drone: A Reading. (Corey Van Landingham, Solmaz Sharif, Philip Metres, Nomi Stone, Jill McDonough)
    How does poetry function in the age of the drone? Can poets avoid the anesthetizing remove enacted by the drone when writing about political subjects from a safe distance? What is the role of poetry in a time of perpetual war—does it, as Auden says, make nothing happen? Five poets read work that shows the different ways poetry reacts to, and interacts with, the idea of the militarization of the drone, targeted killing, and the difficulty of writing about war from afar.