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| Author, actor, and former U.S. Marine Benjamin Busch signs a copy of his 2012 memoir "Dust to Dust" at the 2018 War, Literature & the Arts conference conducted September 20 and 21 at the U.S. Air Force Academy. Photo: Jesse Goolsby |
More than 600 academics, students, creators, and others attended the 2018 War, Literature & the Arts conference September 20 and 21 on the campus of the U.S. Air Force Academy, Colorado Springs, Colo. This year's event coincided with the 30th anniversary of the War, Literature & the Arts Journal, an annual multidisciplinary publication curated by the institution's English faculty, students, and alumni.
While an annual lecture series regularly brings literary talent to campus, the full conference tends to appear with the regularity of Brigadoon. The last such conference, for example, was apparently conducted in 2010.
The schedule was jam-packed, with three keynote speakers, and four seminar and performance blocks each day. (Two in the morning, and two in the afternoon.) Hosted in the over-21 cadet lounge, a social hour with cash bar was conducted Thursday afternoon. Lunches were "on the economy"—the cadet student union features a small food court, with sandwich, salad, and pizza options.
While it was impossible to do and see everything and everyone, I hope to illustrate the depth and breadth of the event by re-posting here some observations from my notebook and Twitter account:
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Melissa Parrish, presenting on the work of Sebastian Junger (including "War"): “Junger usefully blurs the line between participant & spectator [slipping between “we” & “I”]—combatant & non-combatant—to usefully interrogate civil-military interactions.”
One personal highlight of the conference: Getting a chance to use Q&A time to thank USAF Vietnam War veteran Dr. Dean F. Echenberg for including the works of 21st century soldier-poets (including my own) in his collection, which he recently donated to Harry Ransom Center! Here's a list of such 21st century war poetry.
Much to my shock, Echenberg's fellow panelist, Lisa Silvestri of Gonzaga University's "Telling War" project, then reflected some love back, telling the audience her students really enjoyed my book! ("Welcome to FOB Haiku: War Stories from Inside the Wire.") That exemplified the vibe at the conference–lots of inspiring, affirming energy!
More quotes from the WLA conference: Oliver Jones on “Weaponized Poetics: The Avant-Gardes of the Revolution in Military Affairs": “Design Thinking has become so indoctrinated [in mil-planning], it seems now to be doing the very things that it was intended to disrupt.”
Not going to share all the WLA18 barroom hilarity & wisdom, but I still think this quote from Colin D. Halloran deserves its own T-shirt: “Whenever I feel down, I read ‘Ozymandias.’” Buy his books here and here.
Lightning-bolt insight that came to me via Toby Herzog’s WLA18 talk, “The Thing He Carried & the Story He Told”: Tim O’Brien was an Radio-Telephone Operator "R.T.O.")—a battalion radio guy, who helped maintain commo logs. A privileged position of blended participation/observation within an organization!
Speaking of Tim O’Brien at WLA18, Rolf Yngve took us on wonderfully nuanced journey, connecting the Magical Realism of O’Brien’s “Going After Cacciato” with the presenter’s real-world work of helping homeless veterans write resumés.
Elsewhere, in the same presentation regarding “Maps, Charts, Cartography, and Memory in the Battlespace of Fiction, Poetry & Memoir” WLA18 , Elizabeth T. Gray Jr. and Mark D. Larabee each explored how graphical & textual descriptions of terrain both affect & effect memory ...
... which led me to remember: In U.S. Army operations orders, we brief weather and terrain under “Situation, Enemy.” At some level, that almost suggests that we grant the terrain agency. That “even the ground is out to get us.”
Bonus from Mark D. Larabee’s talk: World War I was a “Golden Age of Cartography,” with many technologies coming together: trigonometric survey, multicolor lithography, etc. British teams produced 34+ million maps—365,000 per (linear?) battlefront mile!
Bonus from poet Elizabeth T. Gray Jr.: A quadranted taxonomy of terrain as either “real”/“imaginary” (think “Ypres” vs. “Mordor”) and “background”/“agented” (bet the latter includes Fangom Forest?). She also mentioned how some Tibetan Buddhists believe that evil spirits can inhabit the ground. Based on that, I later shared with her this poem: "leaving empty."
More Sherpa notes and personal high points from WLA18. Discovering a mutual interest in serious regard for military humor apparent in Lydia Wilkes‘ “Laughing about War with [David Abrams'] ‘Fobbit’”!
Lydia Wilkes quoted U.S. Army Chief of Staff Gen. Mark Milley in her WLA18 presentation on military humor: “It's not ‘Forever War.’ It’s ‘Forever Train-and-Advise.’” I was reminded of Sherpatude No. 26: "Humor is a combat multiplier …"
Sherpa’s takeaway from Lt. Gen. (USAF, Ret.) Christopher Miller’s (U.S. Air Force Academy Class of 1980) WLA18 talk “Yesterday at War with Tomorrow: Language as a Strategic Variable”: As a military (and society?), we need to reconcile with “strategic value” as greater or equal to “battlefield valor.”
Sherpa’s takeaway from David Eisler's WLA18 talk “Influence of the Shift to an All-Volunteer Force on American War Fiction”: As quantifiably compared to Vietnam War novels, OIF/OEF novels may be increasingly generated by non-veterans!
Sherpa’s takeaway from Caleb Cage‘s WLA18 talk “The All-Volunteer Force and the Civil-Military Divide”: There are 4 binary “master narratives” at play in every OIF/OEF story/debate:
Sherpa’s takeaway from combat medic (& future physician assistant) John Howell Jr.’s WLA18 talk “Building Resilience through a [pre-deployment!] Literature-based Discussion Program”: Try talking about movies, rather than books! Also: “Logan” (2017) may resonate with troops.
A full conference schedule is available as a PDF here.
Want to receive exclusive early-bird notice of military-themed writing opportunities, events, and markets? Join our community of practice for as little as $1 a month! Details here: www.patreon.com/aimingcircle.
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... which led me to remember: In U.S. Army operations orders, we brief weather and terrain under “Situation, Enemy.” At some level, that almost suggests that we grant the terrain agency. That “even the ground is out to get us.”
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1. “War of Choice”
2. “The Prez is a Cowboy”
3. “What’s Phase 4?”/“No Plan”
4. “The Surge”
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Want to receive exclusive early-bird notice of military-themed writing opportunities, events, and markets? Join our community of practice for as little as $1 a month! Details here: www.patreon.com/aimingcircle.
has completed the manuscript and signed a contract for a second book.
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I entered and 
. Here's to hoping that it is used as an example of good writing, rather than the other kind.
. Here's the skinny in 50 words or less: In the United States, there are only two questions you can legally ask of a dog handler who is attempting to access public services. Make sure that your security, admissions, faculty, and other personnel 
Have never called myself a warrior. Have never called myself a poet. Am now, however, calling myself a "warrior-poet." Household-6 isn't buying it.