Blogger Seeks Cites for Women-Veterans Bibliography

On her new blog "Presumption and Folly," military writer Jerri Bell, a U.S. Navy veteran and managing editor of the Veterans Writing Project's "O-Dark-Thirty" literary journal, has published a call for examples of women-veterans' writing from all eras, services, and nationalities for inclusion in an on-line bibliography. She has also illuminated a special writing opportunity for women veterans in next spring's "O-Dark-Thirty."

Bell's blog takes its title from a quote attributed to Deborah Sampson, who enlisted in the Continental Army in 1782. Bell's mission statement reads: "Presumption and Folly is a site dedicated to writing by (and sometimes about) women veterans. My goals are to curate writing by women veterans, to bring it to a wider audience, and to encourage more women veterans to write about their experiences."

Bell writes about her project:

The project began in 2013, when I started developing a version of the Veterans Writing Project’s seminar exclusively for women. Our curriculum, Writing War, was full of examples of the writing craft from the work of veterans from Leo Tolstoy to Tobias Wolff; but only one woman veteran—Vera Brittain, a British nursing assistant in World War I—was represented. I decided to find more examples from writing by women veterans. It turned out to be harder than I’d anticipated.

In March 2014, Cara Hoffman (author of "Be Safe I Love You") asserted in a New York Times op-ed that “stories about female veterans are nearly absent from our culture.” Kayla Williams, a former Army linguist and the author of two memoirs about her service in Iraq and her marriage to another former soldier with a traumatic brain injury, responded two months later in the Los Angeles Review of Books with a list of “essential contemporary war literature by women.” Both articles challenged me to go deeper – to attempt a more comprehensive survey of writing by women veterans, to think about what women veterans are and aren’t writing, and to consider how we tell our stories. The blog posts on this site represent that attempt.

In her work as managing editor for the Veterans Writing Project, Bell has also recently issued a special call for fiction, non-fiction, poetry, and other literary writing by female veterans for a special issue of the "O-Dark-Thirty" journal in spring 2016. Deadline is Oct. 31, 2015. According to the guidelines:

The editors will consider short stories (up to 5,000 words; 3,500 and under is better), creative nonfiction/essay (same word limit), poems, and short plays. Excerpts from memoirs and novels are acceptable if the excerpt stands alone as a story in its own right. Please limit submissions to one prose piece or a batch of up to three poems. Work is not required to be on a military theme!

A Round-up of Poetry Books About 21st Century Wars

An impromptu "war party" of writers at the national Association of Writers and Writing
Programs (AWP) conference in Minneapolis earlier this month. Poets, novelists, memoirists,
essayists, and other story-tellers engaged in exploring themes and experiences of war.

April is National Poetry Month. The wars continue.

Civilians, service members, and veterans continue to engage America's 21st century wars through writing, and more than a few are doing so through poetry. War poetry didn't end with the First World War. As a means of communicating and commenting on military experiences, poetry remains just as relevant and vital as other forms of literature and media.

Don't believe me? I'll let an expanding and diverse chorus of modern war-poetry voices argue the point for me.

Earlier this month, I was lucky to meet up with some war-lit practitioners and camp followers at the 2015 conference of the Association of Writers and Writing Programs (A.W.P.) conference in Minneapolis. Because I'd traveled by ground, I was also able to stuff my rucksack with plenty of new books and journals. More than a week later, you might say I'm still conducting document exploitation.

The AWP conference is the largest such event in North America, gathering approximately 12,000 writers, editors, teachers, and others. The 2015 event featured more than 2,500 presenters and 550 readings, panels, and lectures about craft. The concurrent book fair featured more than 700 presses, publications, and other organizations engaged in the making and distribution of literature. In 2016, the event travels to Los Angeles. In 2017, the event travels to Washington, D.C.

Rather than posting my own After-Action Report, I'll point readers toward such dispatches at Peter Molin's "Time Now" blog, as well as author Sioban Fallon's blog.

Now, let's talk about poetry.

I've heard it said that the people who read (and buy) poetry are most likely poets themselves. The truism is often meant as a criticism, as if poets were alone in constructing elaborate (and, no doubt, metaphorical) echo chambers in response to the worlds around them.

Poetry is just like any activity, however. People who write fiction tend to buy and read fiction. People who create video games tend to buy and consume video games. People who talk on Sunday morning news shows tend to watch Sunday morning news shows. Bottom line: We're all talking to ourselves, when we talk to each other.

What poetry offers over some of these other forms is that it is relatively accessible. The cost of entry is low. You can buy a collection of poetry for less than $20, or you can browse the public library shelves. Books of poetry don't take very long to read, and you can skim and flit about the pages to find poems that interest you. You can toss poems away with little guilt, or enthusiastically push them into other readers' hands and lives.

Regardless of your reaction to any given work, you will at least have considered, for the briefest of moments, the world around you as seen through someone else's eyes. And that is the first step toward changing minds, and changing realities.

As Tim Green, editor of the poetry magazine Rattle, recently said in an interview on the Poetry Has Value blog:

The real currency for poetry is attention; poets get to have a voice in the din, they get to move people, change the thinking, explore ideas and feelings, create images that were never there before—and we have a pretty large group of poetry lovers to appreciate it. It’s an art that costs extraordinarily little to pursue, is open to anyone, is encouraging of unique voices and perspectives. […]

So, in celebration of National Poetry Month, here's a start toward a "Mother of All 21st Century War Poetry Lists." These are titles that are on my bookshelf—those which deal with Iraq and Afghanistan and places in between—any and all of which I personally recommend to you. Again, it's a start. Check them out. Collect them all. Trade with your friends.

Most importantly, tell me what I'm missing!

COLLECTIONS:

• "All the Heat We Could Carry" (2013) by Charlie Bondhus. Narratives of gay soldiers and their partners.

• "Stateside" (2010) by Jehanne Dubrow. Poems from the home front.

• "Bangalore" (2013) by Kerry James Evans. Red Bull Rising review here.

• "Clamor " (2010) by Elyse Fenton. Poems from the home front.

• "Medic Against Bomb: A Doctor's Poetry of War" (2014) by Frederick Foote

• "Overwatch" (2011) by Allen Gray

• "Shortly Thereafter" (2012) by Colin Halloran

• "War" (2013) by Chuck Rybak

• "Army Cats" (2011) by Tom Sleigh

• "Here, Bullet" (2005) and "Phantom Noise"(2010) by Brian Turner. Red Bull Rising review of the poet's recent memoir here.

• "The Shape of Our Faces No Longer Matters" (2014) by Gerardo Mena. Red Bull Rising review here.

• "Red Fields" (2012) by Jason Poudrier. Red Bull Rising interview with the author here.

• "Letter Composed During a Lull in the Fighting: Poems" by Kevin Powers. Red Bull Rising review here.

ANTHOLOGIES:

• "Enduring Freedom: An Afghan Anthology" (2011; pending re-release August 2015). Poems from U.K. military service members, veterans, and family members.

• "Load Poems Like Guns: Women's Poetry from Herat, Afghanistan" (2015) translated by Farzana Marie

• "Heroes: 100 Poems from the New Generation of War Poets" (2011). Poems from U.K. military service members, veterans, and family members.

• "Washing the Dust from Our Hearts: Poetry and Prose from the Afghan Women's Writing Project" (2015). Works in English from participants in the program's videoconference workshops.

FREE! ON-LINE MIL-POETRY JOURNALS:

• "Ash & Bones" on-going series on military themes

• Military Experience & the Arts' "Blue Streak"

• Veterans Writing Project's "O-Dark-Thirty"

• "Wife and War" poetry blog by memoirist Amalie Flynn

The Iowa Review Celebrates 2nd Vets' Writing Contest

Two Sat., April 18 events in Iowa City, Iowa will help celebrate The Iowa Review's second successful Jeff Sharlet Memorial Contest for Veterans, the winning entries of which appear in the publication's Spring 2015 issue.

At 7 p.m., first- and second-place winners will read from their works at Prairie Lights Bookstore, located at 15 S. Dubuque St., Iowa City, Iowa 52240.

Katherine Schifani, first-place winner, will read her essay "Pistol Whip." Brian Van Reet, second-place winner, will present his short story "The Chaff." Both entries are set in the Iraq War.

Contest judge Anthony Swofford (author of 2003's Gulf War memoir "Jarhead"), will also read. A reception will follow in the bookstore café. For a Facebook page regarding the event, click here.

In a guest opinion appearing in the (Iowa City) Press Citizen April 13, contest winner Schifani writes:

The only thing I am confident [veterans] deserve, and the thing we need even more than free beer, is a voice and a space for people to listen to it. The war needs a voice because the people who fought in it need for everyone else to understand what we saw and did. 

A few notable writers have broken through and been recognized for describing their time in the wars, but there are thousands of veterans with unique experiences and stories to tell, all of which are necessary to really understand the war, the motivation for the soldiers fighting it, and the effect it had on us. More importantly, the more veterans who tell their stories, the more we can understand how the wars affected the rest of the country who did not go fight, how it affected people who […] only obliquely knew someone who fought them. 

I knew that my experience in Iraq was unique. I knew it while I was there, and I knew it when I got back home. What I didn’t know until I started writing about it was that it was also important, and not just for me. It is important that other people hear my story and know what I did and what I didn’t do because one day, our country will decide whether to fight another war, and the population must know what it is like.

Single issues of The Iowa Review may be purchased on-line here.

The next submissions period for the next Jeff Sharlet Memorial Contest for Veterans will open between May 1 and June 1, 2016. First-place winner will receive $1,000 and publication in the Spring 2017 issue; second-place winner will receive $750; three runners-up will receive $500 each. Editors report that the next iteration of the contest may be its last, given available funding.

Earlier in the day at 1 p.m. Sat., April 18, Swofford will visit FilmScene to participate in a screening and Q&A discussion of "Jarhead", the 2005 movie based on his memoir. The venue is located at: 118 E. College Street, Suite 101, Iowa City, Iowa 52240. For a Facebook page regarding the event, click here.